Some movies like Cameron Beyl’s The Veil need to be savoured, and while the wait for it to arrive on home video/streaming felt long, that’s because to find the right window to release it meant waiting for a certain time of the year to arrive. People believe that the curtain separating the world of the living from the dead is at its thinnest during Halloween. Readers can check out my original review here.
As an enthusiast who has studied the behaviours of spirits through reading other case reports and participating in client-based (not the holiday style) paranormal investigations, everything told in fiction felt spot on. But in order to understand everything that went on in this film, the opportunity to interview this filmmaker to learn about his thought process made this movie what it is:
For readers unfamiliar with your work, can you please introduce yourself?
I’ve been making films, using the DIY approach, ever since I was eleven, and went to Emerson College to get a formal education. I made my feature debut with So Long, Lonesome (2009), and a couple of years later, made Here Build Your Homes. During that time, I made other short films, did commissioned jobs and also worked on documentaries. My “The Director Series,” is well known [it delved into examining notable talents like Stanley Kubrick, David Fincher and Paul Thomas Anderson -ed], and after that The Veil. Continue reading “Piercing Cameron Beyl’s The Veil and Forbidden Mysteries Answered–An Interview”
Now playing at select theatres
The Wild Robot is a perfect return to form. When 
In Canada,