Venue: Metrograph, 7 Ludlow St, New York
Dates: November 15–23
Among anime fans, Mamoru Oshii stands apart for his singular art-house aesthetic. Though most know him as a director, understanding the depth of his writing means looking closely at his filmography. Angel’s Egg remains his first truly original work, while Urusei Yatsura: Only You (1983) and Urusei Yatsura 2: Beautiful Dreamer (1984) were where his unique voice first began to shine. From there, his contributions to some of the most influential anime of the 90s cemented his reputation as a visionary.
With Avalon (2001), Oshii explored the harmful effects of virtual reality long before it became a plaything of today, and parts of that story (written by Kazunori Itō) resonate. Through its existential themes, he explored what it means to live and dream inside a machine—ideas that would echo throughout science-fiction cinema for decades.
Continue reading “Mamoru Oshii at the Metrograph. A Cinematic Tribute to a Master”

It’s official—K-Pop Demon Hunters 2 is a go. Fans, however, will have to wait perhaps four years before it arrives. That’s a tough pill to swallow for anyone hoping to see Rumi, Mira, Su-Min, and the rest of the team back in action. What made the debut spectacular was its blend of 
When the autumn slate of television programming for youths is in full gear, just what we enjoy watching isn’t always going to be offered on the big three—Amazon Prime, Netflix or Hulu. There’s some great animated series in the world of streaming rather than network for obvious reasons. Luckily, the last stretch of 2025 has a few curious newcomers and oddball experiments worth watching—or at least watching for. Some shimmer with potential, others… less so (Armorsaurs, we’re side-eyeing you). As to be fair for Devil May Cry, they deserve honourable mention despite having started in Spring than Fall.
A darkly charming fairy-tale mystery that balances heart and humour, The Sisters Grimm is Titmouse Inc.’s spin on 
Please check local listings for theatrical runs