By Ed Sum
(The Vintage Tempest)
For a brief moment, I thought TOHO animation‘s curiously titled Gojira, City on the Edge of Battle (決戦機動増殖都市) will become a Star Trek episode. Knowing Mecha Gojira would appear, I thought about Hasbro’s Transformers and a city transforming into a figure like Trypticon than Metroplex. Thankfully, this movie is nowhere close to realizing that, but I knew Mecha Gojira was making a comeback. I wondered how?
Part two is on Netflix. While it’s tough to beat a theatrical presentation, as it was presented in Japan, anyone with a 72 inches (or more) television will be in for a treat. The surround sound mix is very good, and it requires more oomph to make the windows of my home to rattle. I bought a 7.2 audio receiver so I can have two subwoofers than one and hoped to test it out with the right movie. This film comes close to tearing down the house.
Thoughts on Toho’s Creation of Godzilla: Monster Planet
10 FebBy Ed Sum
(The Vintage Tempest)
Toho Picture‘s Gojira: Kaijū Wakusei (Monster Planet) had me asking a lot of questions and I had to view it at least three times to see if any answers lay buried in the layers.
Netflix’s quiet release of the first film of the series had me excited, and the tease it made has me thankful that the wait to see part two will not be too long. When considering Kessen Kidō Zōshoku Toshi (literal translation: Decisive Battle Mobile Breeding City) arrives May 2018 in Japan, it’s safe to assume the worldwide release by Netflix will be near the end of the year — if not beginning at the start of the next, if I’m to assume there’s a pattern. For the last film of this animated trilogy, it could sedge way to new live action films, or look at an earlier chapter altogether.
Continue reading →
Tags: Commentary, Gojira, Netflix, Toho Studios