Broadcasting Thurs on Paramount+
Spoiler Alert
These days, the handlers of Gene Roddenberry’s creation, Star Trek, are no longer bound to his original vision. With Starfleet Academy, the franchise leans into new themes and familiar narrative shapes, recycling tropes that are usually left unspoken. After all, humanity has always been about boldly going somewhere new. This time, though, it might just be back to school. Whether the writers should lean into that idea is debatable. There are elements here that work, and others that stumble. Everything hinges on where the focus ultimately lands.
After finding Star Trek: Discovery very much not my cup of tea, I missed one important detail. The Federation is rebuilding. Following The Burn, when most of the galaxy’s dilithium was rendered inert, interstellar travel collapsed. Worlds became isolated. New wars erupted over developing new alternative power sources, or the promise of something better from individuals who try to deliver hope.
Continue reading “Starfleet Academy’s Dilemma: Is It Star Trek or Saved by the Bell Set in Space?”

Looking back, the last century feels like the moment genre television quietly defined its contract with the audience. Most of those early experiments arrived in short waves, and like the tides, they came and went. Some returned decades later on specialty stations or streaming platforms. And these days, nearly everything is being tucked into quieter shores. Every so often, the tropes that once defined a series are reskinned for a new generation, which is simply how television writing evolves.
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Unfortunately, the only way to watch Star Trek Prodigy Season 2 in certain countries is through a VPN. Even three months later, I’m still not finding it on regular broadcast channels, and I’m stuck waiting for the eventual home video release, which is November 12 (according to
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