Tag: Romance

An Italian Kung-Fu Hustle Is Happening In The Forbidden City. Is Yaxi Prepared?

The Forbidden City blends Italian gangster cinema with martial arts action as a woman searches Rome’s Chinatown for her missing sister. Yaxi Liu’s transition from stunt performer to leading actor anchors the film, even if the choreography and story occasionally stumble. Strong cinematography and cultural tension keep the experience visually engaging.

The Forbidden City 4K CoverWell GO USA
Digital Release: March 17, 2026
Home Video: April, 21, 2026 (available to pre-order here)

When filmmaker Gabriele Mainetti mixes high-octane gangster action with martial arts in modern-day Rome’s Chinatown, The Forbidden City becomes a clash of cultures that feels both unusual and ambitious. Whether the conflict comes through fists or gunfire, two very different worlds collide when Mei (Yaxi Liu) arrives searching for her missing sister. The reason for that search becomes clearer in the opening sequence. The siblings were secretly raised during China’s one-child policy era, and although the film never fully reveals when they were separated, the implication is that Mei has spent years searching.

Part of me still feels this story might have worked better as a period piece. That said, what Mainetti presents is effective in its own way. The film offers a glimpse of how Chinatowns exist beyond the usual cinematic settings of North America or Asia. In this case, the story unfolds in Rome. Without the occasional landmark or explicit mention, the location can be easy to miss, but the cinematography and production design give the city a textured, lived-in feel.

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Just What A Useful Ghost Offers Is Not Seduction, But Suction

A Useful Ghost turns grief, spirituality, and social satire into one of the most offbeat supernatural films in recent memory. Blending heartfelt loss with possessed appliances and sharp cultural commentary, this Ghost Month standout is equal parts absurd and affecting.

A Useful Ghost Movie Poster
Playing at the Victoria Film Festival Feb 14th, 2026 at The Roxy (2657 Quadra St.) at 2pm. Buy tickets here.

Filmmaker Ratchapoom Boonbunchachoke has crafted a supernatural film that doesn’t just tug at the heartstrings, it suggests grief doesn’t always need to be sucked up. A Useful Ghost (ผีใช้ได้ค่ะ) weaves several tales together to create the ultimate Ghost Month film. Originally debuting in August 2025 for Southeast Asian audiences, it’s now making a well-deserved splash across the international festival circuit.

The film introduces a series of suffocating situations. There is Tok (Krittin Thongmai), who dies at work from chest congestion. Elsewhere, an unnamed academic (Wisarut Homhuan) insists it isn’t dust but industrial pollution choking him. He buys a vacuum cleaner that promptly malfunctions. When Krong (Wanlop Rungkumjad) arrives to fix it, he has no idea he’s about to be seduced.

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Luc Bresson’s Dracula Has Enough Bite To Be Memorable

Luc Besson’s Dracula: A Love Tale reshapes the familiar myth with a sweeping origin, a centuries-long hunt for reincarnated love, and a boldly camp performance from Caleb Landry Jones. It’s uneven in its digital effects, but the pulp energy and gothic romance make it a surprisingly fun Valentine-season watch.

Luc Bresson's Dracula Movie PosterLuc Besson’s Dracula: A Love Tale is certainly a different beast. Just when fans of the vampire tale think they’re getting another retelling of Bram Stoker’s classic, what’s presented here begins elsewhere. It offers a great deal of backstory that may have been imagined but never fully dramatized. The novel itself is structured as a series of letters, memos, and recordings recounting how the Count made it to London.

In this auteur’s take, the broader backdrop remains familiar, but the narrative lens shifts. The universe is largely set in France, though any revolutionary parallels feel faint at best. Instead, the focus rests on the Ottoman invasion of Romania, and how young Prince Vladimir (Caleb Landry Jones) vows to save his people from this encroaching tyranny. His fear is not only for his homeland but for Elisabeta’s (Zoë Bleu) safety. Should the enemy breach their borders, she would be taken prisoner. He knows this all too well.

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5 Pagan, Folk, and Secular Graphic Novel Winter Worlds Tucked In….

Graphic novel winter worlds move beyond holiday cheer, drawing on pagan, folk, and secular traditions where snow, darkness, and isolation shape the story. These chilling titles use winter itself as myth, menace, and memory.

Graphic Novel Winter WorldsAs the nights grow even longer and the month of December settles in, many people would rather stay home, cosy with a book than venture out. For those getting heavy snowfall, heading outside often isn’t even an option. In these graphic novel winter worlds, artists and writers use ice, snow, and darkness to evoke the season’s chill without needing to experience it firsthand, especially when the colouring and atmosphere land just right.

But when you start looking for material that isn’t rooted in year-end celebrations, Yule, or festive tradition, it becomes surprisingly difficult to find winter stories that truly stand apart. In these tales, winter becomes the main character, not tinsel or mistletoe. Here are some standout titles that embrace the season on their own terms:

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Guillermo del Toro’s Frankenstein: The Fears Man Still Dreams Of

Guillermo del Toro’s Frankenstein is visually stunning, emotionally rich, and anchored by Oscar Isaac’s haunted performance—but is that enough when it’s no longer a Byron/Shelly style tale?

Guillermo del Toro’s Frankenstein posterNow playing on Netflix

Just how good Guillermo del Toro’s Frankenstein is depends on how much of Mary Shelley’s novel this auteur chooses to bring to life on screen. It’s safe to say he’s rearranged a fair bit. Some changes strengthen the story, drawing out its emotional and thematic cues, while others never quite take shape.

Heinrich Harlander (Christoph Waltz), the mysterious benefactor who bankrolls Victor’s (Oscar Isaac) experiments, is a notable addition. He isn’t in the novel, and his motives feel not all that fleshed out—yes, the pun’s intentional. His inclusion explains how Victor funds his unholy pursuits and builds The Creature (Jacob Elordi) after being blackballed by his peers for daring to defy death. When this financier’s true identity as an arms dealer and seeker of immortality is revealed, the moment ends before it begins. The hint of Orwellian horror lingers but is never explored, leaving an intriguing idea unfinished.

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Karate Kid Legends – Overhyped Nostalgia Fuels a Quick-start Reboot

Not even Jackie Chan can save Karate Kid Legends from feeling formulaic. Our review examines the reboot, new characters, and missed opportunities.

Karate Kid Legends movie poster Available on home video and streaming (Netflix)

Not even Jackie Chan can save Karate Kid: Legends from feeling like a distant memory. While it delivers some entertaining moments and tweaks the formula, straying from Daniel LaRusso’s story is a misstep. That tale is already explored beautifully in Cobra Kai, where alliances matter more than grudges. I had hoped the film might explore Miyagi’s teen years, but without Pat Morita, who passed away in 2005, that tale is impossible to tell. The absence of that deeper connection leaves the film feeling like a story missing its heart.

The film opts for a hard reboot, introducing Li Fong (Ben Wang), an immigrant trying to stay out of trouble in New York. Skilled in Kung Fu and bound by a promise not to fight unnecessarily, Li is quickly drawn into conflict after encountering overzealous muggers. His path crosses with Victor Lipani (Joshua Jackson), who reluctantly asks for his help.

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