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A Knight’s War Never Ends When A Soul Needs To Be Saved!

What makes A Knight’s War feel real is what each soldier must overcome on a spiritual level. But when there’s real evil afoot, is rescuing a fair maiden enough?

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Chivalry is not dead in Matthew Ninaber’s movie, A Knight’s War. When not everyone lives by that code, I wonder how Bhodie (Jeremy Ninaber) is going to survive. He’s off to save not a princess, but a woman said to reshape the world.

When Avalon’s (Kristen Kaster) morals are not up to the code, just what she represents has everyone quaking in their boots. Even the soldier has his own problems. Although she’s no lovely lady-in-waiting, she has a fire I like. He’s trying his best to show her “how to be nice,” and thankfully what’s presented isn’t like in Shrek. Instead, it concerns how she can be tamed than trained. She’s certainly a spitfire, and Kaster is great at showing it.

When the new gods fear what she can represent because she has red hair, that’s because they are concerned about an age-old prophecy which will spell doom for them. And so, they have “whispered to the hearts of men is to burn any child matching the terms of the words uttered.”

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When Dallas King’s Indie film Swap (2024) Aims to Change the Rules of Vampirism….

When some vampires want something from humans, offering a Swap won’t come easy. Or can human conviction win when locked up in a pleasure palace?

Swap Movie Poster Rad (James Eastwood) is a person with high morals. When he and his beautiful girlfriend get invited to a château located away from the City of Angels, little does he know the next two days may well be out of Rocky Horror! That’s because Janet, er Kayla’s bestie (Jessica Lelia Greene) asked this couple over for an evening they’ll never forget. Glory (Erin Anne Gray) says it’s okay; she was never pure even when the two met and he knew. And their night is debauchery as its most Greco-Roman. I was curious because vampires are involved!

But even in Anne Rice’s world, what’s presented suggests these creatures of the night have to find willing participants. This film by Dallas King feels like a work in progress, as not everything is fleshed out. The only one good constant is where the unwilling hero struggles with whether he should accept a deal with the devil, and that’s to trade partners and become of their kind. There’s no FX to enhance the terror and I hoped for some moments of some classic vampirism and got none.

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Unboxing Two Wild Eye(s)- Kung Fu Rascals and Despiser on Home Video!

Wild Eye Releasing’s Visual Vengence is knocking it out of the park with blu-ray editions of fond classics from the 80s and 90s, and we got an unboxing video showing what to expect from their latest.

Kung Fu Rascals and Despiser Unboxing Video There’s been a lot of treats that Otaku no Culture has been looking at this month! Not only do we have a ton of terrific material to get caught up on from online (streaming or otherwise), but also there are books and home video releases we’re very excited to go through! One such offering is from Visual Vengeance, a subsidiary of Wild Eye Releasing, that we’re going to unbox, and will offer a more detailed write-up when the Halloween season is over (along with some reviews of series as a whole rather than separate episodes).

Kung Fu Rascals and Despiser (Amazon links) are works meant to be enjoyed as simple popcorn entertainment back when they first released. As Steve Wang pointed out (my interview with him can be read here), his film was his first foray into directing, and admitted there were problems. Despite some flaws, it’s a work to be appreciated because it helped show to Hollywood what he was capable of.

As for other works in this distributor’s catalog, one can find other movies were their final film school project, or perhaps something else. Some were attempts to test the waters of some genre, others designed for fun, and the rest–it’s like a roulette wheel: one can never be too sure if it’d be a wild success or not. Whatever the case, this label has a commitment to revive these works to show that it’s possible to love these lowbrow works for what they are.

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How Little Lucha and the Big Deal Faces Their Future is Hilarious!

Just what can we expect from Little Lucha and the Big Deal is that they have a lot of unload as they examine their lives in the world of sports entertainment.

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Little Lucha and the Big Deal has an amazing Canadian connection, and the song used is quite apt. Gordon Lightfoot‘s “If You Could Read My Mind” hits home to explain why one female wrestler doesn’t believe she’s on top of her game. This cover by Phoenix & The Dream still hits home regarding why this protagonist, known as The Big Deal (Scarlet Moreno), doesn’t feel on top of her game anymore.

In the world of wrestling, especially in Lucha Libre, the theatrics are important. Some wear masks to hide who they are, and others don’t. Sometimes what isn’t visible (especially when a disguise is used) is the emotional toll these athletes face; and what’s explored in this short film that also considers the problems wrestling has. Sometimes there’s gender politics, and who is allowed to have top billing in a show. Big Deal has a lot to grieve about. And to dump her feeling on her partner, Little Lutcha (Josh Stifter) makes for some hilarious dramatic moments.

When this tale is set in the early 80s, I’m reminded of those “back when I was young” segments on NBC’s comedy series, Young Rock. We get to view wrestling as it was intended and learn about why these people continue to fight for the entertainment of others. With this presentation, I feel very meditative about why I love those past talents like The Big Show, Hulk Hogan and Sgt Slaughter.

I enjoyed that era because wrestling was on a small stage and had fewer theatrics. As this sport turned into more of a soap opera and had to be larger than life, some people continue to watch and others stop.Moreno and Stifter want to honour what we recognise from the vintage era and I feel what they brought to life by writing and directing this work too says everything about their love for this sports entertainment medium–and that’s to pump out the adrenaline!

4 Stars out of 5

Little Lucha and the Big Deal Trailer

In Zach Green’s Foil, Where’s The Little Green Men?

Finding success isn’t easy, but when you’re Zach Green, perhaps making a film aptly named Foil is like therapy to show he’s got what it takes to be a success.

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Zach Green could’ve easily made a film about two hasbeens getting abducted by aliens and through that experience, maybe get a second chance at life. Instead, what’s presented in Foil deals with how these two realise that they don’t have to live up to what others expect of them. When they go looking for the meaning of life in the middle of the desert, what they discover is a bit like Monty Python.

Usually, movie titles offer a hint at what to expect, and this work is a strange beast because I wasn’t sure what to expect. Here, most of the story is fixated on Rex (Devin O’Rourke) and Dexter (Green) as they hope to experience some 70s magic; that is, they hope to get some “Kum ba yah” going in the most hilarious way possible. When the former is a UFO nut who wants to be taken away and the latter, a failed filmmaker with no Hollywood cred to his name, both are ready to leave it all behind so they can start anew.

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Ross Munro’s The Moviegoer Aims for More Than A Reflection of Times Gone By

There’s no innocence lost in The Moviegoer, since it also includes recognising the various exploitation type films that became prominent for this era.

Ross Munro's The Moviegoer Poster Ross Munro‘s The Moviegoer is more than a love letter about his youthful experiences at the movie theatre. It’s also a look at what inspired him to start making films of his own, and what’s notable is the affection for Carlota Viva, an actress from Venezuela. He says she’s South America’s answer to Bridget Bardot and I can’t blame him for carrying that affection into his adult years.

Although this character is a fictional creation, I get what he’s going for; she symbolized a time much like Marilyn Monroe back in the 60s. Had the era been different, I’m sure not everyone will get it, and I feel the choice of which decade to make his own is important to sell this film. I grew up in this time too.

Although I thought of his short film as an autobiography, there’s a lot more going on. After watching it, I had to hit google and do some additional research just to reacquaint myself about the times. The only reference I could find is from the Jane the Virgin Wikipedia. And if I was to connect this character to anyone real, I’d place my money on him being infatuated with Eva Perón, The First Lady of Argentina.

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