Where are they now? 2026 Chinese Animation. Looking Back On Enlight’s and Lightchaser’s Schedule and What’s Ahead…

While some of China’s most hyped films from last year don’t have a huge international release, we have the latest observations regarding what’s in store for 2026 Chinese Animation. We’re looking at Ne Zha 2 and 3 along with White Snake Afloat and Curious Tales of a Temple (aka Strange Tales: Lan Ruo Temple)

Ne Zha 2 Poster - 2026 Chinese AnimationWhile looking for the latest word about when Ne Zha 2 will hit home video, and the next film, Ne Zha 3 will release, there are rumours suggesting it could arrive as early as this year. These expectations are far too optimistic. While the 2026 Chinese animation production schedule shows what’s being developed, not everything will be ready to screen until the following year, or much later.

What is confirmed regarding the former is the fact that the third film is actively in development. However, it’s moving forward on a timeline shaped more by precision than speed. Nailing the story and making it visually stunning is clearly the priority. As for the home video release of Ne Zha 2, I have been looking, and right now only bootlegs exist. I suspect it won’t appear until after its streaming run on HBO Max has ended. That, for now, is the definitive news.

As for the latter studio and what comes after Strange Tales, they have new films almost ready to release. The details of their take on Romance of the Three Kingdoms will be covered in a separate upcoming article.

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When Genre Television Learned to Think, and Why It’s Quickly Vanishing from the Dial

When Netflix will soon dump all of Star Trek, and traditional networks are broadcasting less genre television than ever, where do audiences go to get their fix?

genre television's fading gloryLooking back, the last century feels like the moment genre television quietly defined its contract with the audience. Most of those early experiments arrived in short waves, and like the tides, they came and went. Some returned decades later on specialty stations or streaming platforms. And these days, nearly everything is being tucked into quieter shores. Every so often, the tropes that once defined a series are reskinned for a new generation, which is simply how television writing evolves.

From that first wave, some re-dos leaned into long-form storytelling, while others stayed loyal to the standalone format.

The 70s offered a handful of tests, including Shazam! (1974–1976), Wonder Woman (1975–1979), and The Incredible Hulk (1977–1982). The latter proved that if you give audiences a hero they can empathize with, they will follow even an unresolved quest, like Bruce Banner’s search for a cure. Sadly, many genre series never reached a true conclusion. The Time Tunnel (1966–1967) is only one of several 60s science-fiction shows left without closure.

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Honouring Hanna-Barbera. On Why This Legacy Still Resonates.

Before cable and streaming divided our attention, Hanna-Barbera defined what weekend cartoons meant. From Huckleberry Hound to The Powerpuff Girls, their legacy shaped every generation of animators to follow — and it still ripples through today’s toons.

The Hanna-Barbera Treasury Hardcover
Available to purchase on Amazon USA

Before streaming and before cable carved up the weekend, one studio defined TV animation. As a lifelong fan, it’s bittersweet to see Hanna-Barbera living on mostly through MeTV than in the mainstream. Their influence on the toons we see today like Wylde Park and Oh My God… Yes! still colours everything we watch. The fact their name is not forgotten says it all.

While some of their vast catalogue of toons do not stand the test of time, others do. I tried watching The Amazing Chan and the Chan Clan again recently and ouch. The same can be said with Hong Kong Phooey. They used stereoteypes that would not be tolerated today. That said, Top Cat is beloved and actually holds up. But as for others, it’s based on personal taste.

The Golden Age

When Bill Hanna and Joe Barbera launched their independent studio in 1957, they reshaped how animation could work on television. Their cost-saving “limited animation” approach made series economically viable without sacrificing character or charm. The Ruff and Reddy Show led the charge, but it was Huckleberry Hound and Quick Draw McGraw that cemented the formula. The true breakthrough arrived with The Flintstones—a primetime sitcom that proved cartoons weren’t just for kids. When it became a live-action movie, we all knew why it was done: to reignite interest among adults rather than make new fans.

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The Secret Storylines K-Pop Demon Hunters 2 Needs

It’s official: K-Pop Demon Hunters 2 is happening, but fans may wait years. If the sequel leans into folklore, side stories and stronger character arcs, it could become a rare animated follow-up that truly matures with its audience.

K-Pop Demon Hunters movie posterIt’s official—K-Pop Demon Hunters 2 is a go. Fans, however, will have to wait perhaps four years before it arrives. That’s a tough pill to swallow for anyone hoping to see Rumi, Mira, Su-Min, and the rest of the team back in action. What made the debut spectacular was its blend of folklore and modern Korean pop culture—especially Rumi’s reluctant connection to the demon world, which now puts her at a crossroads between fame, duty, and peace.

Although the wait will be long, hopefully it’ll all be worth it. Fans have expectations—especially in seeing what’s next for the lead, and whether her demon boyfriend will come back. That forbidden attraction is what drew me into the tale. The trope is a variation on the Legend of the White Snake, a classic story where a goddess falls for a mortal man. Here, the roles are reversed, giving the story a fresh emotional dynamic. The beliefs about what happens to the soul are also distinct from other cultural takes, which makes this story feel uniquely Korean.

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Chasing Shadows: The Hunt for Ghosts from Curiosity to Credibility (Part Two)

From Crookes’s laboratory séances to Harry Price’s haunted investigations, explore how the hunt for ghosts evolved from curiosity to credibility—and what it reveals about the living.

The Hunt for Ghosts is OnWhen people today venture into haunted houses with cameras, EMF meters, and recorders, they’re unknowingly continuing a tradition that began over a century ago. The hunt for ghosts may look modern, but its roots trace back to figures more grounded and genuine than many of today’s TV personalities—people like John Zaffis and Jason Hawes, who carry a lineage that reaches further back to scholars and spiritualists. There was no such thing as a paranormal pop star then; there were only those who genuinely wanted to understand and not trick a generation.

Yet the modern scene rarely mentions the foundations laid by Sir William Crookes and Harry Price. Today’s investigators might name-drop Edison or Tesla for their “ghost phone” and “spirit radio”—devices meant to pull voices from the aether—but communication is more than asking for a yes or no.

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The History Behind the Hunt for Ghosts: A Timeless Journey Through Belief (Part One)

A look at how humanity’s fascination with ghosts evolved from ancient myths to Victorian spiritualism. The hunt for ghosts isn’t for everyone, and we consider the contributions of people prior to Crookes and Price laid the groundwork for modern investigative techniques.

The Hunt for GhostsAs Halloween approaches, many folks enjoy a ghostly outing—whether for thrills or to glimpse evidence of something beyond. To go on the hunt for ghosts is a pastime few practice year-round, but when the season is right, more people go chasing after a belief. The old idea October 31 is when the veil is thinnest has roots in Neopagan lore, particularly Samhain, the Celtic festival marking the boundary between the living and the dead. Similar ideas echo in Mexico’s Día de los Muertos, celebrated soon after All Saints’ Day.

Whatever the tradition, humanity’s fascination with the afterlife is ancient. Even in Greek literature, ghosts appear not just as spectres but as participants in moral and mythic storytelling. In The Odyssey (Book 11), Odysseus travels to the underworld and summons shades of the dead to question them—a literal “ghost quest.” Centuries later, during the Victorian era—the golden age of spiritualism—Sir Arthur Conan Doyle developed his own fascination with the supernatural, even though his most famous character never took on such a case.

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