[Part Two] On Netflix’s Avatar The Last Airbender, What’s Missing and the Why The Spirit World Matters

Not even a live-action adaptation of Avatar The Last Airbender can escape the scrutiny of being compared to Star Wars when a prodigy is concerned.

Avatar the Last Airbender Promotional PosterBy now, most viewers have seen Netflix’s Avatar The Last Airbender. It’s not completely perfect when considering the high expectations many fans of the cartoon have. Whether that’s in a passing similiarity with Star Wars or something else, there’s plenty to notice.

One scene that I couldn’t help shake concerns how Brother Gyatso is defending Aang. He dotes upon him like a father, arguing he’s not ready much like how Qui-Gon Jinn argued against the council regarding young Anakin. Both aren’t ready for the heavy responsibility that’s expected for a prodigy.

There’s also in getting the characterizations right or hoping that favourite episode gets realised. In regards to the latter, this series is rather sneaky in referring to those “deleted episodes.” When rewatching the series, the references to them without having to tell that tale are rather smart. Not everyone will see it, as a fan would need to know the series by heart to catch them. For example, those canyon crawlers from “The Great Divide” made an appearance, and there’s a vague reference to “The Fortuneteller” to show that the writers of the series is not above inserting Easter Eggs into the series.

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The Quest in Netflix’s Avatar The Last Airbender Means Appeasing All the Fans Than Just Bring in New Ones

There’s lots to like and not like in this live-action adaptation of Avatar The Last Airbender. For the most part, the essentials elements are laid out to make this story work.

Avatar the Last Airbender Promotional PosterLight spoiler alert

Although franchise creators Bryan Konietzko and Michael Dante DiMartino departed the Netflix project to bring Avatar The Last Airbender to a live-action format early during development, I’m sure not every fan will care. What’s presented has everything one expects and wants to go yip-yip on. The humour is downplayed and the world looks fantastic. Most of the special effects work and the wuxia elements added in are enough to get fans excited whenever Aang (Gordon Cormier) goes full on Avatar mode!

The great thing about this version is that it’s not a carbon copy of the original. It takes enough from the cartoon and just how it all begins is unexpected! By offering more backstory helps frame what’s to come, and for those who memorised the series, the added elements give this take a lot more weight. Fire Lord Ozai’s (Daniel Dae Kim) motivations were never made fully clear, and what’s offered here sets him up as that cruel warlord who feels uniting the world under his vision is the future.

Overall, the performances are excellent. Although Gordon Cormier is not as spunky as his cartoon counterpart, to translate that aspect of Aang’s personality would’ve been overkill. Kiawentiio really nails it as Kitara, a soon-to-be waterbender who wants to protect her village. I get the feeling she’ll be the next Zendaya.  And Ian Ousley presents us his take on who Sokka is. As for how much of a ladies’ man he’ll become, what’s teased at here needs more development!

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