Tag: Coming of Age

Wanda John-Kehewin’s Powerful Visions From The Fire Looks Toward Healing

In Visions From The Fire, Damon Quinn’s search for identity deepens through dreams, spirits, and painful truths. Wanda John-Kehewin and Nicole Marie Burton shape a thoughtful second chapter that blends coming-of-age drama with Indigenous spirituality and quiet emotional power.

Visions From The Fire Graphic Novel Cover_544x838
Volume Two is available on Amazon USA

HighWater Press

Wanda John-Kehewin and Nicole Marie Burton’s graphic novel The Dream series is beginning to take shape. With the release of the second volume, Visions From The Fire, the next stage of Damon Quinn’s journey is becoming clear. What’s presented here is more than a traditional coming-of-age story. To appreciate where it is heading, though, it helps to begin with the first book, Visions of the Crow.

Here, Damon feels like a ne’er-do-well, struggling simply to survive as high school graduation draws near. It is easy to sympathize with him. At school, he is bullied because of his mixed heritage. As a Cree-Métis teen, he is left wrestling with questions of identity and belonging. He does not know who his father is, and he desperately wants answers. At home, his relationship with his mother is strained by her alcoholism, often leaving him to spend as little time there as possible.

Continue reading “Wanda John-Kehewin’s Powerful Visions From The Fire Looks Toward Healing”

Unleashing Colum Eastwood’s The Morrigan. Just Who Is This Phantom Queen?

A slow-burn folk horror with teeth, The Morrigan reframes the goddess as something older and sharper than pop culture’s “wicked sorceress” shortcut. Through a mother and daughter caught in a modern system built to drain women dry, the film turns possession into sovereignty, and rebellion into something sacred and brutal.

2025 The Morrigan Movie PosterCineverse
Now on VOD and Digital

The worship of the Morrígan is nearly as old as time, dating back to roughly 3000 BC. In terms of raw elemental power, she rivals a force like Gaia, the very breath and blood of the land itself. Yet, history has been unkind to her. In Irish lore, she was a terrifyingly complex sovereign; in modern literature, her role was flattened to fit the needs of the “wicked sorceress” trope. While pop culture often lazily grafts her onto Arthurian legend, those who hold The Mists of Avalon as the best may need to head back to school to “unlearn” the sanitized version of the goddess they’ve been sold.

Colum Eastwood’s expansion of his short film proves he’s done the homework. He frames the Morrígan not as a simple adversary, but as a goddess of death, regeneration, and rebirth. This is the core belief of Fiona (Saffron Burrows), a woman battling a modern world designed to “steal a lady’s thunder.” The film’s strongest thematic tissue lies in the parallel between the ancient and the modern: Fiona is reeling from a husband who has abandoned her and their daughter, Lily (Emily Flain), while being professionally bled dry by Professor Jonathan Horner (Jonathan Forbes). He is a leech who steals from his TAs while the world turns a blind eye.

Continue reading “Unleashing Colum Eastwood’s The Morrigan. Just Who Is This Phantom Queen?”

Stranger Things. The Full Series in Review

After a long rewatch of Stranger Things, I look at what worked and what did not when creating the threat that would manifest in the small town of Hawkins. Thankfully, for those in the know, no foothold was made, but is this truly the end?

Stranger Things LogoWhen Stranger Things first arrived on Netflix, it began with something wonderfully small. It seemed to be simply about a group of kids playing a game of Dungeons and Dragons, and not expecting that world to manifest around them! After the sudden absence of Will (Noah Schnapp), they had to learn how to become heroes for real. Even though the adults didn’t believe what they’ve encountered is real, what they managed to do was the impossible: to show that dangers lurk in every corner. The shadows are alive, and the necrophagous shadows, well….

From that moment, the series evolved naturally from childhood rituals into becoming adults. As for the fantasy characters they wanted to become, all the visual motifs (including a garbage can lid modified to become a shield) came into place. And the monsters they had to face weren’t just creatures. They were metaphors to something greater shaped by the kids’ references to concepts and entities from this role playing world. Some worked, and others did not, but overall, unless the viewer was in the know, the tie-ins were more than surface level references.

Continue reading “Stranger Things. The Full Series in Review”

Predator Badlands – When A Hunter Becomes the Hero

A new perspective freshens Predator Badlands, but at the cost of the franchise’s ferocity. Is the softened tone and redesigns right?

Predator Badlands PosterSpoiler Alert

20th Century Fox’s Predator didn’t just thrill action fans; it roared. It took a simple hook—survival in the jungle—and turned it into one of the toughest films of the 80s. Guerrillas, locals, commandos… none of them realised they were being stalked by something far worse. Predator Badlands carries that same DNA, but flips the lens. This time, the hunter is the hero.

Dex (Dimitrius Schuster-Koloamatangi) is the runt of his clan, desperate to prove himself to a father who’d sooner cull the weak than train them. His brother Kwei (Mike Homik in suit, Stefan Grube on voice) doesn’t think he’s ready. Their dynamic sets the stage fast, and then the film hits full throttle: Pops arrives, declares Dex unworthy, and doesn’t even give the lad a chance. Big brother steps in, pays the price, and the ship bolts off as Dex watches him die. It’s raw, swift, and effective.

Continue reading “Predator Badlands – When A Hunter Becomes the Hero”

Why Inertia Is A Low-Fi Slice-of-Life Sci-Fi You Can’t Miss

Breaking Glass Pictures’ Inertia tells the story of a teen (Brocagh Lynn) with involuntary temporal abilities, navigating adolescence in a small Pennsylvania town. The film blends sci-fi and emotional resonance, exploring loss, responsibility, and the quiet consequences of extraordinary power.

Inertial Movie PosterAnyone expecting Back to the Future in Breaking Glass Pictures’ Inertia might be surprised. The film’s focus on a teen navigating existence under extraordinary circumstances can feel melodramatic at first, but it’s this very human lens that makes the story compelling. Will Martinko‘s tale feels very rooted on his own experiences, and it shows. And both their struggles are relatable for anyone who has felt trapped by forces beyond their control: he never really had a chance to grow up.

The protagonist (Brocagh Lynn) is restless, and the film opens with a detailed introduction to his father, Dmitri (Aidan Everly), a temporal agent whose job is preventing paradoxes. The father’s work brings him into contact with Mariya (Jelena Uchev), and a one-night encounter results in the birth of the anomaly. The mother flees with her newborn, unaware of the boy’s latent temporal abilities, setting the stage for the story that unfolds fourteen years later in a small Pennsylvania town.

Continue reading “Why Inertia Is A Low-Fi Slice-of-Life Sci-Fi You Can’t Miss”

Why Queen of Bones Feels Like an Alluring A24 Film

In a tale about two siblings, Lily and Sam must face psychological dread, folk magic, and slow-burn suspense to figure out who is the Queen of Bones.

Queen of Bones movie poster featuring main charactersFilmmaker Robert Budreau clearly loves A24 films—Queen of Bones borrows many of the studio’s signature elements, and that’s a strength. The atmosphere perfectly frames the story of siblings Lily (Julia Butters) and Sam (Jacob Tremblay), struggling to survive under the oppressive hand of their overbearing Protestant father (Martin Freeman). Every interaction with him carries weight, and the tension is palpable. Even the muted colour palette and the sparse, wind-whipped Oregon landscapes heighten the siblings’ vulnerability, turning the setting into an emotional character in its own right.

From the very beginning, psychological unease and a lingering sense of dread define the tone. Set during the Great Depression in the outskirts of Oregon, the story conveys survival as a matter of personal resourcefulness rather than community support. Every quiet moment is loaded with unease; the audience senses the siblings’ fear before any overt threat appears. This slow-building tension is classic: fear grows organically from circumstance and character, not cheap scares.

Continue reading “Why Queen of Bones Feels Like an Alluring A24 Film”