Tag: UFOs

How Likely Will Speilberg’s Idea of Disclosure Day Happen? There’s a 1% chance.

With Steven Spielberg’s Disclosure Day streaming sooner than later, will it motivate our real world governments or someone to say they’re here? (Sorry Carol Anne)

Disclosure Day movie posterNow Streaming on AppleTV, Google Play and YouTube

Steven Spielberg‘s Disclosure Day is now streaming, and that’s about the only way I will see this movie. I opted not to see it in theaters because I knew it is nothing like Close Encounters of the Third Kind. What it offers is a textbook case of downsizing the UAP phenomenon rather than going big. That’s because I knew there would be no grand spectacle, no family drama, and no genuine hunt for the truth. Worse still, for a story built around disclosure, it never feels anchored to the evidence that has kept the subject alive for decades.

Or rather, there would be no return of the little grey visitors and the people they abducted to discover strange new worlds and other wonders. Instead, the message boils down to: “We’re here, we’ve been here for a while, we’re observing you, and we’re deciding whether humanity is ready for space.”

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Look Out! The Skywatcher is Coming, And There’s No Need To Be Scared.

Part two of the Skywatcher trilogy heads to Bradshaw Ranch, trading hard answers for atmosphere and suggestion. With gorgeous drone work and speculative skywatching, this middle chapter feels more like a field guide than a revelation.

Skywatcher

Skywatch, Skywatcher and Skywatched Make Up This Trilogy

Bradshaw Ranch is back under the magnifying glass, and this time Dan Starkey and Clive Christopher (of Unearthed) are poking around Sedona, Arizona to see what kind of cosmic dust is being kicked up. Usually, their eyes are glued to the skies, scanning for UAPs drifting over the desert. In part two of a trilogy flying under the Skywatcher banner, and no, I did not spiral into thoughts of Skywalkers or Skinwalkers. What we get isn’t a deep excavation of theory but more of a starter kit. It’s a gentle “here’s how you might flag down the weird” guide for anyone tempted to pack a flashlight, find a mate to protect your back, and go hunting for an unexplained encounter.

The region near the Superstition Mountains has long been steeped in lore. Indigenous stories, frontier myths, whispers of hidden gold and stranger things. If cryptids once roamed the Wild West, I would not be shocked. That’s not the path this documentary takes. Instead, it leans into the idea of energy, where it’s coming from and if it is sentient. Maybe this force is stirred up by human intention, or perhaps by something less visible and more elusive. If I ever decide to go hunting for hematite, well known in New Age circles for its “grounding” properties, I now know where to start. Still, much like the cautionary tales about removing lava rocks from Hawaii, I suspect the desert might not appreciate souvenirs either.

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The Red Book: Deadly Tales from Russia and Beyond

Dark Horse’s The Red Book #1 turns familiar Russian and Asian enigmas into a quietly unsettling anthology, balancing historical detail with creative ambiguity.

Cover of The Red Book from Dark Horse ComicsDark Horse Comics continues its exploration of
UFO lore with The Red Book, the third instalment from James Tynion IV and Michael Avon Oeming. Following Blue Book and its sequel Blue Book: 1943, this new entry shifts focus to Russia and Asia, presenting cases steeped in myth and mystery. Many of these events are already familiar in the West thanks to media fascination, yet Tynion and Oeming elevate them—not by forcing a shared narrative, but by subtly implying a deeper, unseen connection.

The issue opens with the Tunguska explosion of 1908, suggesting that perhaps something arrived with it. I particularly liked how this moment is revealed—it puts the reader into a viewpoint that slightly recalls Star Trek’s opening line: “Space, the final frontier.” But instead of seeking out new life and new civilizations, what’s presented here is what can come crashing to Earth. Although this intro is very short, that’s because there’s not a lot to say about this incident!

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On Earth, Don’t Scream When Xeno Comes Calling!

Jim Henson Company’s Creature Shop brings Croak to life with practical charm and heart. Xeno thrives on Lulu Wilson’s performance, though its predictable story keeps it from soaring.

Xeno movie poster featuring Croak the alien by Jim Henson Creature ShopBlue Fox Entertainment
Spoiler Alert

When Xeno features designs from Jim Henson Company’s Creature Shop, there’s every reason to check out this film. I couldn’t help but think of the Xenomorphs from Alien and even Marvel’s Venom. And what we see works best in shadow, where we’re not meant to see every detail. Parts of the body suggest something more amphibious than skeletal, slimy than decayed, and once you see its face, you’ll either be unsettled or charmed.

Even in the press, this film is labelled a darker riff on E.T. the Extra-Terrestrial, and it’s easy to spot the Spielbergian tropes director Matthew Loren Oates is leaning on. The premise of a teen bonding with an alien is competently handled, but rarely feels new. What’s presented is less about Beauty and the Beast and the leanings towards How to Train Your Dragon are noticeable. I like my pets/companions to be more feral.

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Juicy Woo Woo! A Mind-Bending Cosmic Cabaret at Victoria Fringe 2025

In what makes John Sobol’s Juicy Woo Woo – the UFO Cabaret – unique is that he’s up to date with the latest facts, theories and disguises. And he encourages everyone to look at the facts too!

juicy woo woo
Remaining Shows Aug 26 8:00 pm

Some conspiracies about the alien agenda lean into Juicy Woo Woo! territory—and if John Sobol has any say, that’s exactly where he wants to lead us. As a storyteller and musician, he mixes UFO lore, pop culture, and cosmic musings into a 60-minute journey that moves from fear to acceptance. With his show, he wants audiences to feel they are in the experience. Here, they also get caught up in the latest reports too.

There are no cameos from the jazz greats I usually spin, but I swear Pharoah Sanders might have heard the call.Anything tied to cosmic consciousness or “The One” could appear, though that might overwhelm a casual Fringe crowd. As for the Lemurians of Mt. Shasta or why some people live in a shared bubble, that depends on which studies you trust.

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Yerden Telemissov’s Stinker is Weird Yet Wonderful. And Why It Wins Big at Fantasia Film Festival!

Yerden Telemissov’s movie is no Stinker. Instead, it’s a charming tale concering, I won’t know.

Stinker Movie posterSpoiler Alert

Although the initial moments of the movie Stinker (originally titled Sasyq) introduce a vino, Sadyk Ospanovich (Dulyga Akmolda), absolutely hammered and laid out in a field, this setup is perfect. When he walks out onto the highway, the abrupt ending may well shock. That’s because of the fake credit sequence. But the story does not end there. Maybe what that’s supposed to mean is that he’s imagining the rest of the film. Until I get to interview writer and director Yerden Telemissov, I won’t know.

What follows is a quietly powerful story of loneliness and acceptance. In his small Kazakh village, Sadyk is a harmless drifter. After the death of his wife, he’s without purpose. He’s given up on life, and locals are used to his presence. But lateone night, everything changes. He witnesses a UFO making erratic moves and it soon crashes! Although the wreckage and mention of gets swept under the rug and nobody wants to talk, this individual finds meaning by taking care of the alien (Chingiz Kapin).

Their bond is rather unusual. Both yearning for a connection. I doubt this relationship is like the one in E.T. The Extraterrestrial. Instead, I see this presentation as a tale about bridging worlds together.

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