An Italian Kung-Fu Hustle Is Happening In The Forbidden City. Is Yaxi Prepared?

The Forbidden City blends Italian gangster cinema with martial arts action as a woman searches Rome’s Chinatown for her missing sister. Yaxi Liu’s transition from stunt performer to leading actor anchors the film, even if the choreography and story occasionally stumble. Strong cinematography and cultural tension keep the experience visually engaging.

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Digital Release: March 17, 2026
Home Video: April, 21, 2026 (available to pre-order here)

When filmmaker Gabriele Mainetti mixes high-octane gangster action with martial arts in modern-day Rome’s Chinatown, The Forbidden City becomes a clash of cultures that feels both unusual and ambitious. Whether the conflict comes through fists or gunfire, two very different worlds collide when Mei (Yaxi Liu) arrives searching for her missing sister. The reason for that search becomes clearer in the opening sequence. The siblings were secretly raised during China’s one-child policy era, and although the film never fully reveals when they were separated, the implication is that Mei has spent years searching.

Part of me still feels this story might have worked better as a period piece. That said, what Mainetti presents is effective in its own way. The film offers a glimpse of how Chinatowns exist beyond the usual cinematic settings of North America or Asia. In this case, the story unfolds in Rome. Without the occasional landmark or explicit mention, the location can be easy to miss, but the cinematography and production design give the city a textured, lived-in feel.

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Don’t Fear, But Run Away from The Yeti! Who Knows, You May Survive!

A pulpy, snowbound creature feature, The Yeti targets an April 10 release in theatres and on digital, and the trailer hints at practical effects, crisp cinematography, and a rescue mission heading into trouble.

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Fear is primal, and when parts of the world still feel untamed, aye, it’s wise to fear The Yeti. This creature feature is aiming for an April 10 release in theatres and on digital. Also, quick note, the actor here isn’t the same one people may confuse him with. Here, Pooh Bear he is not. In this film, he plays Booker, a man who may or may not understand what’s waiting for the unlucky souls trekking into the frozen wilds.

What we know so far is that the story takes place in 1947, when people could vanish without a trace and the Alaska Triangle hadn’t yet entered popular imagination. There are no UFOs either! The plot follows the disappearance of an oil tycoon (Corbin Bernsen) and a legendary adventurer (William Sadler).

They’re not as well known as Hale Boggs and Nick Begich, the politicians who later vanished in 1972, but the comparison helps underline how perilous this region can be. Co-directors Gene Gallerano and William Pisciotta make their feature debut here, which is already a promising hook. Ellie Bannister (Brittany Allen) and Merriell Sunday Jr. (Eric Nelsen) lead a rescue mission to find the missing men. They’re connected to the case personally, and the trailer keeps the rest close to the chest.

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In This Sequel Involving The Magical Tribe, Jackie Chan’s Back For More Panda Plans

Jackie Chan returns to protect Hu Hu in Panda Plan 2: The Magical Tribe, blending martial arts comedy with adventure spectacle as a lost civilization enters the fray.

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Panda Plan is returning for a sequel, and Jackie Chan is ready to kick up more hijinks protecting Hu Hu from a lost civilization that believes this creature can save them from disaster. Thus begins Panda Plan 2: The Magical Tribe. The film hits theatres March 13, 2026, and pandemonium is sure to ensue. Between more martial arts chaos and perhaps a message nestled underneath, fans of this charming partnership between man and animal should be pleased.

As for how many years have elapsed since the last film, it’s safe to say not much time has passed. Chan is still playing a fictionalized version of himself, once again recruited to safeguard this massive, cute, and cuddly panda. My review of the first film can be read here. This latest instalment hints at a more Indiana Jones-styled adventure. Although CGI is required to deliver some of the panda’s performances, that’s the only real suspension of disbelief needed.

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Going ‘Back to the Past’ is No Stormy Ride In This Tribute

A long-awaited follow-up to a beloved TV series, Back to the Past delivers time-travel spectacle, nostalgic fan service, and lingering questions about destiny, even if some ideas feel better suited to a longer format.

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Mild spoiler alert

No prior knowledge of the 2001 Chinese TV series A Step into the Past is required to enjoy Back to the Past (尋秦記). Those familiar with the series will spot how the film connects to its small-screen origins, though the transition isn’t seamless. The budget behind the more ambitious stunt work doesn’t always disguise the green screening, and a bit of suspension of disbelief is definitely required. Still, it’s manageable. My lingering question is how much of Ken’s troops and equipment were conveniently waiting to be teleported along with him. There is an answer, and I won’t spoil where the technology came from.

Although the film took many years to reach screens following the series finale in 2001, fans of the historical drama about Hong Siu-lung (Louis Koo), a modern man trying not to distort the past too much for fear of altering the future he knows, will feel right at home. Over the course of the series, he becomes part of a trusted inner circle and is eventually made Grand Tutor. Much of the story revolves around avoiding temporal paradoxes, and anything essential is neatly recapped in the film’s introduction.

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The Royal Cat (金陵御猫) In Review: A Hair’s Breath of Whisker of Mystery and Bewilderment

Cao Liang’s The Royal Cat delivers a playful, mysterious blend of talking‑animal charm and Eastern folklore. A rare North American release, The Royal Cat colourful and whimsical but never quite scratches beneath its own magic.

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Coming to Digital Oct 14, 2025

Liang Cao’s The Royal Cat (金陵御猫, The Imperial Cat of Jinling) may be one of the few Chinese animated features in recent years to secure proper North American distribution—a rare catch for curious cinephiles who love a whisker of something different. While I’m happy that other animation studios can show off their style worldwide, Light Chaser Animation’s White Snake 3, Chang’an, and Curious Tales of a Temple remain hard to find on this continent. As for a physical home video release? That’s a mouse most likely to escape the kitchen.

This film offers a variation on the Puss in Boots formula rather than Kung Fu Panda. Zhan Ao (Tu-Te-Ha-Meng), a talking tabby cat, doesn’t wear shoes and lacks a tail—a bold fashion choice for a feline hero. He’s a skilled fighter who once loyally served General Kou. After his master’s death, however, he reinvented himself as a Robin Hood–like figure, prowling the streets with cause and cunning. That missing tail? It’s not just a style statement; it hints at something mystical. When Ao becomes a wanted fugitive, it raises the suspicion that there’s more to his nine lives than meets the eye. In this world, other animals can also converse with humans—which means the line between myth and reality is as slippery as a fish in a pond.

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Baby Assassins Franchise – Friendship, Mayhem, and the Future of Japan’s Funniest Hitwomen

In what makes the Baby Assassins franchise unique is its blend of over-the-top action with sitcom absurdities, showing how Mahiro and Chisato juggle odd jobs, bills, and bullets. And we talk about its spin-off TV series too!

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Check out the reviews for the second flick, Babies, and the third one, Nice Days.

Now that Yugo Sakamoto’s Baby Assassins 3 is available on home video in North America, watching all three films back-to-back shows just how uniquely fun this franchise has become. Better still, the story isn’t finished. It’s not over yet for the Baby Assassins franchise!; a 12-episode spin-off mini-series aired on TV Tokyo in September 2024. It is available for import through YesAsia, but without English subtitles, leaving fans to hope the North American distributor will secure international rights.

What makes the series stand out is its mix of action, deadpan and comedy. Imagine Laverne and Shirley—if they were professional killers. That’s the dynamic between Mahiro (Saori Izawa) and Chisato (Akari Takaishi). One is outgoing and impulsive, while the other is more laid back and prefers to avoid action unless persuaded. Their partnership feels like a live-action twist on the “girls with guns” formula, with classics such as Dirty Pair and Noir serving as touchstones. The franchise succeeds because these stories balance buddy-cop banter with constant clashes against the criminal underworld, keeping the familiar tropes fresh.

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