
Clara Trevisan’s Mother of Dawn is a mesmerizing stop-motion short that lands somewhere between a cosmic fairytale and a handcrafted fever dream. Running just under eight minutes, the film doesn’t rely on dialogue, exposition, or conventional storytelling—and that’s precisely why it resonates. It invites you to feel, not just watch.
What immediately stands out is the animation style. As someone used to the dark whimsy of Tim Burton or the polished fantasy of Studio Laika, I wasn’t expecting something so raw, textured, and unapologetically surreal. If I had to compare it to anything, it would be Phil Tippett’s Mad God (which also screened at Fantasia Film Festival), though this leans less into chaos and more into cosmic poetry. The design is otherworldly—vivid and dreamlike one moment, then barren and eerie the next. It feels pulled from some subconscious mythos, and it’s unlike anything else on the festival circuit right now.

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The Primevals is more than a love letter to the pulps of yesteryears. Here, the long production history must be noted before I can go into the review. Back in the late 60s,
Runs till Summer 2024
Anyone wanting to ditch their