Tag: Stop-Motion Animation

Bisou Sauvage and Szczerbowski Shine in This Thought-Provoking NFB Showcase

The National Film Board of Canada brings a striking range of animated storytelling to Victoria Film Festival. In part one, I take a closer look at Bisou Sauvage and Szczerbowski, two shorts that confront human duality, moral consequence, and the fragile space between love and harm.

National Film Board of Canada LOGOThe National Film Board of Canada

is presenting at the Victoria Film Festival, and what they’ve got is a wide range of adventures. From making statements about the society we’re in to a fun-filled twist on what a zombie pandemic can look like, even I have to be amazed. In part one, I’ll be taking a look at Bisou Sauvage and Szczerbowski.

This examination will be broken up into two parts to give the four pieces a decent look at why they must be viewed. And hey, Jay Baruchel is all-Canadian in this piece (you’ll have to read part two for that review), and I have to love the fact he’s broken away from his Hiccup past to show he has versatility with his vocal performances.

Continue reading “Bisou Sauvage and Szczerbowski Shine in This Thought-Provoking NFB Showcase”

TheNFB’s Hothouse 15 Shorts Now Streaming: Fresh Voices in Canadian Animation

Experience the creativity of Hothouse 15, the National Film Board of Canada’s program showcasing emerging Canadian animators. Six eclectic shorts, each exploring the theme People Watching, are now streaming worldwide, offering a glimpse at the future of Canadian animation.

National Film Board of Canada logo promoting Hothouse 15 editionThe National Film Board of Canada’s long-running animation program has once again opened its doors to new talent. Beginning today, six shorts from Hothouse 15 are streaming worldwide, showcasing a range of visual styles and stories tied together by this year’s theme: People Watching.

Each filmmaker had just 12 weeks to complete a one-minute piece, and the results are as eclectic as ever. For those unfamiliar, Hothouse was created in 2003 to nurture emerging animators, and it has since launched the careers of over 90 talents. Names like Patrick Doyon (Dimanche), Howie Shia (Marco’s Oriental Noodles), and Eva Cvijanovic (Hedgehog’s Home) all honed their craft here before gaining international recognition.

The NFB Lineup

Get a Grip
Abbey Collings (Boylston, Nova Scotia)

A charming stop-motion short featuring Gus MacDuffin, a puffin who discovers his wings are actually hands—and learns to embrace his uniqueness. The film explores how watching others shapes self-beliefs and identity, all while staying true to oneself. Its gentle story plays out with endearing visuals and subtle humor. A delightful blend of whimsy and introspection.

Stop-motion puffin with hand-like wings in Abbey Collings’ short Get a Grip

Continue reading “TheNFB’s Hothouse 15 Shorts Now Streaming: Fresh Voices in Canadian Animation”

Mother of Dawn: An Unforgettable Journey Through Creation and Cosmic Wonder in Clara Trevisan’s Surreal Short

Clara Trevisan’s Mother of Dawn is a haunting stop-motion short that explores cosmic creation and transformation—without a single word of dialogue.

Mother of Dawn Movie Poster
This work is part of the Circo Animato 2025 Short Film Program that played at Fantasia Film Festival 2025

Clara Trevisan’s Mother of Dawn is a mesmerizing stop-motion short that lands somewhere between a cosmic fairytale and a handcrafted fever dream. Running just under eight minutes, the film doesn’t rely on dialogue, exposition, or conventional storytelling—and that’s precisely why it resonates. It invites you to feel, not just watch.

What immediately stands out is the animation style. As someone used to the dark whimsy of Tim Burton or the polished fantasy of Studio Laika, I wasn’t expecting something so raw, textured, and unapologetically surreal. If I had to compare it to anything, it would be Phil Tippett’s Mad God (which also screened at Fantasia Film Festival), though this leans less into chaos and more into cosmic poetry. The design is otherworldly—vivid and dreamlike one moment, then barren and eerie the next. It feels pulled from some subconscious mythos, and it’s unlike anything else on the festival circuit right now.

Continue reading “Mother of Dawn: An Unforgettable Journey Through Creation and Cosmic Wonder in Clara Trevisan’s Surreal Short”

15 Animated Films That You May Have Missed or Not Heard Of…

In this list of animated films that you may have missed, thankfully most of them have surfaced online to stream on demand.

Dreambuilders Movie PosterAs we enter halfway into this decade, I wondered what animated films have I missed watching? Kids aren’t the only target audiences; the medium also works to tell biographies, visualize experimental ideas and explore adult topics. Also, not all animated films are American productions. What I offer are titles that have caught my interest as I count from 2020 to 2024.

Depending on whether I’ve seen it during my construction of this list, I’ll include either the official synopsis or my thoughts on that title. Some of these releases might still be unreleased. To note: I’ll be limiting my choices to three per year. And, where possible, will provide links on where it’s available to stream or purchase.

Animated Films of 2000

Dreambuilders (Plex)

Minna misuses her newfound ability to create and control other people’s dreams to teach her bothersome step-sister a lesson. When her stepsister can no longer wake up, it is up to the is young girl has to enter the dream world to save her.

Nahuel and the Magic Book (Apple TV)

Nahuel and the Magic Book (Apple TV) - Animated Films

I overlooked this Chilean-Brazilian animated fantasy coming-of-age adventure despite its considerable praise since release. It’s a work that certainly lives up to its name, and there’s an early Studio Ghibli type of charm that I like. When the title character has a fear of playing near water, especially the sea, all he can do to get over it is to search for a magical solution!

Unfortunately, there’s an evil sorcerer who figured out that this boy intruded upon his home, and kidnaps this kid’s father. And in true Ghibli-style fashion, this lad will have to confront more than just a wizard. His unprepared adventure is fraught with dangers, and it’s best not to spoil the details.

Violet Evergarden: The Movie (Netflix)

After the aftermath of a war, a young girl who was used as a tool in battle learns how to live for herself. With the scars of burns, she goes back to her past to discover her true feelings towards the Major.

Continued on next page

Pages: Page 1, Page 2, Page 3, Page 4, Page 5

Inkwo for When the Starving Return. When Indigenous Rights Matters in this Amazing Stop-Motion Epic! 

Inkwo for When the Starving Return is a brilliant short film that’s more about survival in the arctic! When confronting the self is just as important as dealing with the supernatural, is Dove Ready?

Inkwo For When the Starving Return PosterNational Film Board of Canada
Available Light Film Festival (Feb 7-16)
Victoria Film Festival (Feb 7-16)

After debuting at Sundance Film Festival, the short film, Inkwo, is headed to the Victoria Film Festival! It’s a beautiful film by Amanda Strong who has nicely integrated some folk tales into a battle about humanity versus self, and also nature! There’s some mention of industry, but it’s only implied than openly said out loud.

Not only will this work mesmerise not only its technical achievement as a stop-motion animated piece but also in telling folks it’s okay to be gender-fluid. Although this is not the primary message, that’s what I first recognized. When Dove (voiced by Paulina Alexis) is introduced as female, I’ll stick to this pronoun. During her excursions outside, she must face various arctic dangers. While some encounters are real, it is the ones she must face about herself that’s the most telling.

Continue reading “Inkwo for When the Starving Return. When Indigenous Rights Matters in this Amazing Stop-Motion Epic! “

Going Behind the Scenes. Secrets From The Inventor as Revealed by Jim Capobianco

In order to make sure The Inventor would appeal to all ages, writer-director-producer Jim Capobianco spent more than a decade fiddling with getting all the details right, like the Maestro would do too!

Jim Capobianco, producer, writer, director of The Inventor (2023)For our readers unfamiliar with your work, can you please introduce yourself.

I’m Jim Capobianco and have worked in animation for something like 35 years and my latest film is The Inventor, which I wrote and directed. I got my start at Walt Disney Studios working in their story department, and my first work was with The Lion King–I stayed there for five years. Afterwards, I moved to the Bay Area to work at PIXAR (for 19) and have credits on many films, from Bugs Life to Coco.

One movie I’m particularly proud of was Ratatouille, where I wrote the first draft of it with Jan Pinkava, the director, and we were honoured with an Academy nomination. I left PIXAR in 2016, and then it’s proven pretty good. I worked on Mary Poppins Returns and directed the 2D animation segments, and then followed that up with a project called Philharmonia Fantastique–which was kind of a Fantasia piece, and directed the animation for that. And that plays with a live symphony orchestra.

Continue reading “Going Behind the Scenes. Secrets From The Inventor as Revealed by Jim Capobianco”