Tag: Comedy

I Am What I Am 2, Does Changing The Title To The Kung Fu Kid Hit Harder When ‘A’ Isn’t Used?

Well Go USA’s The Kung Fu Kid is actually I Am What I Am 2 (雄狮少年2), although neither the original title nor its status as a sequel is acknowledged. The film works as a standalone, but is altogether more powerful when Liu Jiajuan’s earlier life in the village is taken into account.

The Kung Fu Kid (I Am What I Am 2)Well Go USA
Now Streaming on Digital
Coming to Home Video on Sept 15

Fans of the Chinese animated film I Am What I Am (雄狮少年) may well be confused by the executive decision to release the second film in North America as The Kung Fu Kid. My theory is that some board of distributors believes a new and familiar-sounding title will draw in viewers who don’t know the franchise. As a standalone movie, it works, and newcomers may never realise they’re watching a sequel. But without knowledge of the first film, some of Liu “Gyun” Jiajuan’s motivations and character development are going to be lost.

That’s particularly noticeable because I Am What I Am 2 directly continues his story. The first film doesn’t magically solve this lad’s problems after the lion-dance competition. He still has to face reality, and that leads him to Shanghai, where earning money to help pay for his father’s medical treatment becomes one of his primary concerns. Strangely, according to China Daily, his name has become Ajuan, which can lead to momentary confusion.

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When All Is Lost? The Galactic Ghoul Is the Last Hero You Wanna Call!

Wildly campy and packed with puppets, absurd performances and homemade effects, The Galactic Ghoul proudly embraces the charm of those B-Movies of yesteryears, and get Lexx about it.

The Galactic Ghoul Movie Poster
Played at Fantasia Film Festival July 28, 2026 at the Cinéma du Musée

The Galactic Ghoul is one of those crazy fun films which recalls more than a few well known and lesser known screwball sci-fi epics. No, we’re not talking about Red Dwarf. Instead I believe this film is the love child of Lexx and MST3K and the individual grew up watching Spaceballs set on repeat! This work written and directed by Simon Harrisson is a laugh a minute, and honestly, I could not take it seriously even if I tried.

This film ranks right there in the same spectrum as 1000s of Beavers, even though the genres are different. Also, I must note Vincent Hoss-Desmarais helped write this work, and it wouldn’t be fair to not mention him too. They might have taken inspiration from Lost in Space too, and I say that with fondness when considering some of the costume and surreal designs that tained the later seasons.

And honestly, I like to know which one of the two is the Space Adventure Cobra fan! There’s some vibes from this anime as the film follows the misadventures of Oscar Bravo (Vincent Hoss-Desmarias), Lieutenant Foxtrot (also Hoss-Desmarias, for reasons made known later in the film) and Xenon (Michael Richard). For part of the story, they weren’t working together, but when they do, it seems they are better off as partners than rivals.

When both are wanting to gain Queen Xaltalusia XXIII’s (Katherine Isabelle) favour, they better be careful in what they want to reap! But she’s the bad guy, right? After managing to collect a mystic stone (basically, the last remnants of a destroyed world) to give to her, they go their separate ways. As Oscar wants to stay behind, he’s the brave idiot who becomes a consort of sorts. And that’s when things get kinky and weird.

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With Zsazsa Zaturnnah Here, Hope Is Not Lost!

Sometimes, checking out the original film helps too before catching the animated version of Zsazsa Zaturnnah, which is just as campy, hilarious and fun! This is the other superhero movie that must be seen this year!

Zsazsa Zaturnnah
Played at Fantasia Film Festival on July 20, 2026 at the Salle J.A. De Sève

Some newcomers may wonder whether Zsa Zsa Gabor and Zsazsa Zaturnnah are one and the same. They are not. Although both are glamorous queens capable of making many hearts flutter, there’s far more to the latter than meets the eye. Created by Filipino comic book artist Carlo Vergara, this superheroine became a cultural sensation and an important champion of LGBTQ representation in the Philippines.

Outside the country, she remains relatively unknown, and that’s where the 2026 self titled animated movie comes in. It retells her origin story for a new generation while shifting the focus towards themes that have followed the character since her 2002 debut. For those unfamiliar with her history, this alternative to Wonder Woman first appeared in the graphic novel Ang Kagila-gilalas na Pakikipagsapalaran ni Zsazsa Zaturnnah.

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Say Hello and Not Goodbye Monster When Luke Burnett Entertains the Dickens Out of Curiosity Seekers of this Short

In Goodbye Monster, a teenager’s imaginary friend decides it’s time to move on. Luke Barnett’s funny and thoughtful short film gives its coming-of-age premise a wonderfully monstrous twist.

Goodbye, Monster PosterWilson (Kue Lawrence) doesn’t want to grow up. In this hilarious coming-of-age story about a teen with a goblin for an imaginary friend, the creature is ready to pack his bags and move on. After a certain age, most kids are ready for that transition: dating, partying and, well, girls. Fans seeing Goodbye Monster in the Are You Afraid of Fantasia short-film block will laugh and root for Luke Barnett, who steals the show as the goofball monster under the bed. He thinks walking out of the bedroom and into freedom will be easy.

As for the now-teenage Wilson, he’s puzzled. Just when he thinks life will continue to be rough, Monster recounts something that foreshadows even more trouble to come. Honestly, I think Barnett has created a great proof of concept that could turn this short into a feature film. I want to know more about its mythology, and I’d love to see more from this multitalented actor turned writer and director.

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With The Short, “Borbulha “(Pimple), It’s Best to Not Say Pop Goes The World….

At Fantasia Film Festival 2026, it’s best not to show up late to skip the short films screened alongside the feature. And there’s also all the wonderful curated programs too. We look at Pimple, one popper of a work….

Official poster for Fernando Alle’s Borbulha (Pimple)Fernando Alle’s Borbulha (Pimple) is a masterstroke in bringing the absurd to life. When this short film also delivers a courteous message about dealing with bullies, perhaps its strangest turn concerns the language used. Yes, He-Man would blush, but considering what happens, I feel this Adult Swim-style piece works.

Although this film feels like a compact demo reel highlighting what this Portuguese filmmaker loves most. It also reveals his fondness for creating campy, Troma-style examinations of life’s complexities. Or should I say Astron-6? Both comparisons work because what’s presented is so thoroughly old-school 80s that it reminds me of Weird Science.

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At Fantasia 2026, Let’s Dance! Or Should That Break Free From the Everyday?

Actually, the title of this film is Kunio’s online identity. He yearns to Break Free from his roots, and this gangster comedy shows how he does it!

Odore! Yakuza, known as Break Free in America, movie poster
Played at Fantasia Film Festival 2026 on July 18 at the Auditorium des diplômés de la SGWU (Théâtre Hall)

The Japanese movie Odore! Yakuza, known as Break Free in America, has style and nearly everything I want from a film featuring rhythmic music, yakuza fighting one another, and J-pop on top. It’s the perfect movie to begin my coverage of Fantasia Fest 2026 too! In this world, an anti-organized crime law enacted by the government has forced many gangs to either pack up or shut up. Whether that’s meant to mirror real Japanese law or simply serve the plot, I honestly can’t say.

The film is wildly gorgeous under Yu Nakamoto‘s direction. He delivers pathos and ethos in droves, while his focus on Kunio (Akito Fujii) shows just how deep a rut the character is in. He’s fiercely loyal to his crew, but they’re struggling to remain who they are rather than getting real jobs. That’s where the commentary comes in. Since Kunio can’t smack people around without getting tossed in jail, his protégé, Kuzunari (Atomu Mizuishi), comes up with the idea of recording him “dancing.” Goto (Kenta Kiritani), their boss, approves!

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