The bonus reel showing how the rivalries developed between Drinkwater and Ryan family is worth sticking to watch till the end.
Oct 21, The Vic Theatre (808 Douglas St) Oct 25, Cineplex International Village (88 W Pender St)
Mike Drinkwater (Daniel Doheny) fails at everything he does, and the only person Wallace (Louriza Tronco) trying to encourage him to do better, he’s completely oblivious to. This coming of age comedy, appropriately titled Drinkwater, is very adorable. It may well stem from how this surname developed, where “a pauper is said to be unable to afford beer.”
In this film’s case, it’s about how Mike can find a way to be able to afford post-secondary. This plot is important since he feels uncertain about the road ahead as he finishes high school. The last year is often tough, since each youth has to decide on what his next step is. Is it to live out the dreams of what their parents set out for, like Luke Ryan (Jordan Burtchett), or to do something else? Although they aren’t immediate rivals, it’s easy to see they both have daddy issues.
But there’s more to this story than just how two generations can deal with life in a quiet town. Not only was this film made in the backyard world of Penticton, British Columbia but also there’s a 80s nostalgic connection with the music used. As the action builds, we hear tracks from Doug and the Slugs, Men Without Hats and Loverboy. Regarding what got me hooked is with how ‘in the zone’ the tune selection is. I loved how Corey Hart‘s “Never Surrender” helps wrap this tale up.
With two incredible Canadian talents, Margaret Atwood and Ken Steacy, get together to create a comic book, the industry better pay attention. Published by Dark Horse Comics, War Bears offers two well-meaning stories than one; the main narrative sees Alain Zurakowski as a struggling artist in an era where life is a struggle. The early 20th century was tough for many; not only did a world have to deal with and recover from two World Wars, but also the Depression made getting employed tough. In a dog eat dog world of 1943, this young man manages to get a job at a Toronto-based comic book company (not New York, where the action was at) and has to deal with ornery coworkers. One particular individual steals this kid’s ideas, and the conflict may well run deeper in later issues.
Making the journey West, fellow Trailer Park Boy, Cory Bowles will appear on Vancouver Island for the 2018 Victoria Film Festival to answer questions about his debut film, Black Cop. This multi-talented performer turned director is not looking to change the world, but he has a lot to say in this drama he wrote. It is filled with sociological concerns and his interest in examining his ethnic roots. For younger audiences interested in his other projects, he can be heard narrating the CBC stop-motion children’s animated series Poko. This show can be found in syndication.
Before he appeared on screen, he was performing on stage. He’s a professional dancer and choreographer. He trained in Africa, Brazil, States, and Canada. Much about what he’s learned hails from his heritage and he’s polymorphed it into the products he’s created since.
He’s worked for Halifax-based Contemporary Dance Company Verve Mwendo and Calgary-based Decidedly Jazz Danceworks. “I studied since I was 18. What I learned was a backward trajectory which started with breakdancing, and that developed into what we know as modern street dance. In addition to appearing in Trailer Park Boys, I’m a musician and teacher.”