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We All Swim With The Pout-Pout Fish in the Deep Blue Sea

It’s worth diving in with a yellow submarine to view the life found underwater in The Pout-Pout Fish. This adaptation of the bestselling series by Deborah Diesen and illustrated by Dan Hanna offers plenty of action, along with a thoughtful look at courage in the face of environmental change.

The Pout-Pout Fish Poster The Pout-Pout Fish had me wondering if Mr. Fish is somehow a distant cousin of Red from Angry Birds. Their personalities are not quite the same, but both characters exist in worlds that seem determined to tell them to cheer up. Here, the glum Mr. Fish (Nick Offerman) has his solitude interrupted by a very chipper young seadragon named Pip (Nina Oyama), who mistakes his home for a safe refuge. When trouble hits their stretch of reef off the Meanjin coast, located off of Brisban, the two have little choice but to work together.

An overgrowth of seaweed drifts in with the tides, turning the area into a maze of thick kelp that leaves the local marine population struggling to navigate. This spreading plant also creates a darkness that other marine life find unsettling.

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When Unhinged Pasts Are Revealed, What’s Diabolic (2026) Is Sure to Scare

Diabolic blends trauma, control, and the supernatural into a hallucinatory folk-horror trip. While the film leans heavily on its past timeline, Phillips’ visceral style shines once the weirdness bleeds into the present.

Diabolic (2025) Movie Poster Streaming on VOD (YouTube, Apple TV+)

Aussie-made films can sometimes lean on the outback, or curiosity about Indigenous culture, but Diabolic takes a different path. Though the story plays out in the proverbial outback of Utah, I couldn’t help wondering why foreign investors were more interested in helping Daniel J. Phillips make this film than backing local creators. It’s not a detail worth nitpicking since the movie was shot in the land down under, but it becomes noticeable when the landscape feels slightly wrong for its intended setting. Maybe that’s part of the hallucinatory effect Phillips is aiming for.

After Elise (Elizabeth Cullen, The Bureau of Magical Things) leaves The Church of Jesus Christ of Latter-day Saints, she thinks she’s safe. She’s moved on, but the nightmares keep coming. Elise has PTSD, and that’s the terrain the film explores more than anything else. Thankfully, her boyfriend Adam (John Kim, The Librarians) and her adoptive sister Gwen (Mia Challis, Outer Banks) are understanding. Trouble starts when they take a camping trip to get away and bring drugs along, hoping to knock down the walls Elise has built so she can finally feel whole and free from her past.

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Lesbian Space Princess Misses Nothing in Its Campy Cosmic Quest for Love

Lesbian Space Princess is a bold, hilarious animated space adventure from Emma Hough Hobbs and Leela Varghese. Mixing camp sci-fi, queer identity, and heartfelt storytelling, it turns cosmic chaos into a surprisingly emotional journey of self-worth.

Lesbian space princess main poster Please check local listings for theatrical runs

What makes Emma Hough Hobbs and Leela Varghese’s adult animated feature Lesbian Space Princess unique is how it blends self-discovery with queer themes—and sets it all in space! It recalls Lexx, the cult Canadian sci-fi series with strong adult sensibilities. Here, the heroine Saira (Shabana Azeez) heads to the stars not to save her home planet, but to find Kiki, her ex-lover who wants nothing more to do with her. She’s hoping for a second chance—but can that happen?

Like the said series, she steals a “Problematic Ship” (Richard Roxburgh) and takes off in search of her lost love. She leaves the sanctuary of her homeworld, aptly named Clitopolis. If echoes of The Rocky Horror Picture Show don’t come knocking—because I couldn’t help wondering if the planet Transsexual from the system Transylvania might be nearby—then I don’t know what will. No shared universe is implied here, and I’m glad!

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In Vitro Review: Psychological Tension Stuck In Utero

In Vitro delivers psychological tension and haunting atmosphere but feels stuck in utero, never fully realising its broader dystopian potential. Strong character work and an evocative soundtrack drive the film, though uneven pacing and limited world-building hold it back.

Now Available on VOD (UK)

In art exhibitions, the words “In Vitro” have often been used for installations and short films that explore the relationship between humans and technology. With this title now attached to a feature co-directed and written by Will Howarth and Tom McKeith, the ideas are explored in a different, unsettling context.

The story is about control. Jack (Ashley Zukerman) runs the household and the business, and his behaviour unsettles his wife, Layla (Talia Zucker). Together, they operate a cloning facility that supplies cows to a country unable to sustain its own livestock. While the premise hints at broader dystopian implications, the narrative keeps its focus tightly on Layla’s personal struggles, leaving the larger world underdeveloped.

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Updates on What the Astronots Are Up To

Until a feature length film finally gets off the ground (pardoning the pun), the short film AstroNots is ready to launch on streaming platforms.

AstroNots is finally landing after playing at twenty more film festivals worldwide! Anyone who has not seen this hilarious short film at their local event or Fantasia Film Festival 2024 can now stream it through Film Shortage, beginning June 23, 2025. When I interviewed the creative team last year, producer Andrew Seaton said they want to make a feature film length version of this film. Although not much has progressed since, he confirmed writers Adam Dunn and Aaron Glenane are working hard on putting a script together.

He said, “We are excited about the prospect of taking these characters and their unique dynamic even further. What we love is that we have an odd couple road-trip movie, set in space. Something truly hilarious and unique.”

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Jon Bennett’s Ameri-can’t at Victoria Fringe 2024 Is Heartfelt Than Just A Rant

Whichever spelling people want to use to describe Jon Bennett’s Ameri-can’t or simply American’t, this show is about the can do attitude this comedian eventually decided to follow than not to be the success that he is!

2Hoots Productions

When Jon Bennett‘s latest Fringe show, Ameri-can’t, hints at a performance about what the United States of America is incapable of getting back in control, that’s because what’s revealed isn’t too far from the truth. The reports he shows regarding gun control and limiting its use are spot on. And there are aspects he loves, namely the people and how lively the arts scene is here.

Even in 2024, there’s no denying the impact of the pandemic is still lingering around, and while some talents struggled to get by, he’s turned his experience into one rip-roaring, hilarious show that’s not without a message. Anyone who has experienced suicidal thoughts during this time should seek help, and his openness about it is truly eye-opening.

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