Available to stream on Amazon USA
The highly satirical There’s No Such Thing as Zombies fills a niche that’s rarely explored in this subgenre. In this very British style horror comedy, what’s presented is more of a rom com because Carlotta (Luana Ribeira) can’t decide who she loves more. Is it Colin (Rudy Barrow) or Paul (Rami Hilmi)? I won’t say who eventually turns into a zombie, but it’s rather funny to see how this Uncle Fester wannabe shows emotions, despite not having the capacity to express his feelings. To stop him from falling back to baser instincts, he’s tied up.
In between, this presentation includes an investigative television show that tries to look into the pandemic going on. They act like commercials to the actual story going on, and what they establish is more about how London is faring in the midst of this “pandemic.” Unlike those big budget movies where it’s about escaping from the walking dead, here it’s about whether one can live with them. When considering this work feels more like a fan film than something huge, what’s presented feels more like a production meant for live theatre than anything else.
Continue reading “Trust Me, There’s No Such Thing as Zombies if you ask Carlotta”

No prior knowledge is required to enjoy Craig Before the Creek, the prequel to the
Japanese ensemble unit NAQT VANE released their first full-length album, ‘Dispersion’, last week, and it’s slowly climbing up the charts. This title is a reference to the way that light is refracted through a gemstone, and its meaning is significant when considering the names of each track.
Aquaman and the Lost Kingdom is one of those movies that could’ve embraced all the action and love one has for a tale written by Jules Verne. But instead, what’s presented is half of one. Had this work not been a struggle to get finished, I’m sure some elements from all four storytellers (James Wan, David Leslie Johnson-McGoldrick, Jason Momoa and Thomas Pa’a Sibbett) could’ve been retained, and the director could’ve done wonders. But instead, what’s finally put together feels like conflicting concepts smashed together and the cohesiveness barely hangs on by a thread.
Illumination’s latest animated film, Migration, doesn’t quite soar as well when compared to their other in-house works. But against