Snyder Gets Racy with Batmobile Tease

By James Robert Shaw (The Wind up Geek)

SnyderBatmobileHoly Heart attack Batman! Can I keep my beating organ at a steady rate when Zack Snyder, director of the Batman Vs. Superman feature film, reveals the newest incarnation of the Batmobile tomorrow? In all honesty, I’ll try. But I make no guarantee I won’t need a defibrillator when Gotham’s sick ride is made known.

Batman Vs. Superman is currently set to debut May 6, 2016 and will star Ben Affleck (Bruce Wayne / Batman), Henry Cavill (Clark Kent / Superman), Amy Adams (Lois Lane), Gal Gadot (Diana Prince / Wonder Woman), Diane Lane (Martha Kent), Jesse Eisenberg (Lex Luthor), Laurence Fishburne (Perry White), and Jeremy Irons (Alfred).

Is there History in 300 Rise of an Empire?

By Ed Sum (The Vintage Tempest)

300 Rise of an Empire

The plot thickens in 300: Rise of an Empire. Not only does the story continue after the events of the first film, where King Leonidas (Gerard Butler) led his men to slow down the advancing Persian attack force by bottlenecking them, but also a better historical picture is painted. Viewers do not have to turn to an encyclopedia of Greek History to know just how these films flow back and forth to each another. Historical accuracy is not what these movies is about.

Instead, these films present a phantasmagorical representation of the Greco-Persian War. The main point these movies wants to put forth is to show the people of Greece wanting freedom from all outside oppression. To see the various Greek city-states unite is at the heart of both films are trying to convey, but that plot point can get missed in favour for the visually over the top style of splatterpunk warfare. To see fights draw blood like that from a J-Horror product makes up a huge part of why the 300 saga is so appealing. Viewers who love MTV’s Celebrity Deathmatch will enjoy 300 more than a general audience.

However, the grain that made the first movie gritty is sadly ditched in the second and that makes for an uneven product.

At least a few of the characters are further developed in Rise of the Empire. Queen Gorgo is the new leader of the Spartan Empire and Xerxes gets the development so his grudge with the Greeks gets understood. Sadly, their role is secondary to the actual plot of where Themistocles (Sullivan Stapleton) of Athens is defending his territory from Artemisia (Eva Green) of Caria’s advancing naval force. Tensions between them is more than hot.

It’s practically sizzling, especially for Green’s performance. She makes Goth in the Greek world look scalding. Between her many costume changes, some of which was not needed, and her origin story, this sequel does a better job of creating some savage characters. Family honour is important and when someone dies in this feudal culture, their deaths must be avenged.

Even the original Xerxes is a changed man. After seeing his father, Darius, slain during battle in the first Persian invasion, his descent to madness is finally understood. The world of 300 runs around in circles because everyone has a score to settle. While that does not make for a simple plot, at least the narrative is styled much like how Homer would write the Illiad.

Anyone who does end up looking at what will happen next in the actual conflict will no doubt find that another chapter can be told. As for whether or not that will be made into another movie will depend whether or not director Zack Snyder has the energy to make another film. Xerxes is the type of character who will not accept humiliation and in the history books, there is still the Battle of Plataea to cover.

3 out of 5

Man of Steel Delivers Plenty of Nolen-esque Appeal

Man of Steel has plenty of moments that will get fans past and present wondering about who this man embodying hope is.

Superman PosterFans of Christopher Nolan’s revisionist theory in redefining DC’s superheroes for the big screen—to explore the pathos behind the hero—will no doubt love Man of Steel. This movie is a bleaker product. Its post-modernist outlook on life and in who can forge their own destinies is at the heart of this film. This edgier type of storytelling is great, and to add-on top Zack Snyder’s testosterone based action-reaction mode of visual storytelling only reinforces the idea that this tale is a comic book product. This movie is more like something Grant Morrison or Alan Moore would write. But for the two filmmakers, Nolan and Snyder might have squared off a few times in deciding which parts of the film needed the whiz-bang action versus analysis of the life of what Clark Kent (Henry Cavill) aka Superman is meant to become.

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