Tag: Top 3

Out of all the categories I’m interested in for the upcoming 95th Academy Awards, all I need to know is who’ll take home the statue in the category of animated shorts and films. Next is feature film only because the list will see a lot of top contenders–most of which I’ve seen–go head to head. I’m not only considering technical achievement but also the best performer in the package. And later tonight, I’ll find out if I’m even close to seeing my favourite works take home The Oscar.

When I’ve seen all these films than the handful when compared to previous years, what I offer are thoughts on who’ll make the top three out of the five or ten that’s been nominated in each:

Animated Shorts

The Boy, the Mole, the Fox, and the Horse

The deeper symbolism nestled in an otherwise surreal narrative defines why this work must be one of the best. I enjoyed it because of the netherworld quality. But to know more, I recommend reading my review, since I’m finding it tough to say anything new without repeating myself.

The Flying Sailor

Like Puss and Boots: The Last Wish, a dreamy short takes the idea of asking, should we be afraid of Death? How can we confront it after being thrown by an explosion, and the only thoughts are, “am I going to survive the landing?” There’s more to this work, which my analysis and review covers. Between this piece and the next, they define the top two choices of which should win.

An Ostrich Told Me the World Is Fake and I Think I Believe It

This stop-motion marvel wins because of its crazy meta moments. For example, there’s The LEGO Movie and The Matrix. That combination is a simple winner to me, after watching this work, I even have to question existence. And although we can’t penetrate past the veil of current reality, perhaps what’s out there is truly scary, indeed. The dialogue will leave you thinking about life, the universe, and everything, too!

Animated Films

Guillermo del Toro’s Pinocchio

Del Toro can do no wrong in his retelling of a classic tale. It’s dark and enchanting. I don’t need to say anymore. And between this and him also executive producing the next work, this year may well see him needing to build a shed to house all those awards he has.

Puss in Boots: The Last Wish

The exuberance and challenge of facing death upfront is what makes this movie special. With this title, we can learn why the writers went the direction they did, and hopefully cheer for Puss as he regains a new set of “regenerations” (but not like in Doctor Who) to allow more stories to be told in his future. For a full review, please check out my original post.

Marcel the Shell With Shoes On

I’d be very surprised if this work wins. There’s a simplicity in this film’s design to really tug at the heart, and you just have to read my review to understand why this movie rounds out my top three choices for taking home the Oscar.

Feature Films at the 95th Annual Academy Awards

To be fair, some people are watching just to find out if their favourite film will take the top spot for best all around. In the 95th Academy Awards Feature Film catagory are these top three choices.

The Banshees of Inisherin

When stars Colin Farrell and Brendan Gleeson are paired up to play two lifelong friends only to have it self-destruct, what’s not to like? We can learn from this film. Some of it will break your heart, given the lost friendships that happen to us all, but as for how we can all grow from it, that’s why this film deserves special mention.

Everything, Everywhere, All at Once

This wicked sci-fi family drama really breaks a lot of conventions, and Michelle Yeoh gives a performance of a lifetime when she plays herself, a character, a rock, and even more. Although it’s essentially about dysfunction, why this picture shines is that it too recognises the value of cinema and the choices we make. For spoilers, my movie review can be read here.

The Fabelmans

After giving my review, some voters may well have to honour Stephen Spielberg. Even though they’re putting this work ahead of others, the film celebrates the early days of cinema from a perspective few rarely know about. To see how these early pioneers become the greats we respect now depends on how much of the real backstory you know.

That fictional version of Spielberg can also be the next Cecil DeMille or even D. W. Griffith (minus the rough spots). But after watching the mini-docs about the making of this work, it’s easy to know who this movie loves.