Fox and Hare is all cyberpunk, and is finally headed to comic book stores near you this week. (or mail order)
Not to be confused with the stop-motion animated series of the same name, Fox and Hare, by Vault Comics is all cyberpunk! That’s a good thing for the duo who take on this codename about two bounty hunters, or should that be mercenaries? Because of unforeseen circumstances, this comic originally slated for November 2021 was delayed. But it’s on track for release soon.
Jon Tsuei (writer) and Stacey Lee (artist) have crafted a work that brings the colourful aesthetics from Blade Runner to life. It’s not as noir as the film, but instead comes through as slick and clean. Lee’s manga style presentation gives us a work that truly shows how Asian talents can reclaim the aesthetics of the cyberpunk genre. These talents wanted to demonstrate this ability, and I feel this debut issue does the job.
The protagonists of our story are rebelling against the status quo of their world just as much as we, the creators, are rebelling against the status quo of the cyberpunk genre.
Coming November 2021
Vault is thrilled to announce Fox and Hare, a thrilling new cyberpunk series co-created by writer Jon Tsuei (Sera and the Royal Stars, Run Love Kill), and artist Stacey Lee (Marvel’s Silk, The Unstoppable Wasp, Gwenpool).
When black market coder Aurora Yi uncovers top secret data that has tapped into the past lives of the citizens of Mazu Bay, her world is turned upside down. The mega corporation Synastry Designs wants its data back and is hot on her trail. Aurora has no choice but to turn to the Fox and the Hare, the most feared mercenaries in the city, for protection. Rebellion. Reclamation. Rebirth.
“I’ve always been drawn to the cyberpunk genre, but I never saw myself represented in those stories, despite their heavy usage of Asian aesthetics,” said Jon Tsuei. “I began to wonder, what if Asian people reclaimed the aesthetics of cyberpunk and centered ourselves in the narrative? As I spent time with that question, I realized that it wasn’t enough to just place Asian faces in the story. We also had to reframe the themes of new technology (cyber) and rebellion (punk) through an Asian lens.