Tag: Music

Terror Awaits When Nash The Slash Rises Again!

A stylish and thoughtful documentary, Nash The Slash Rises Again! examines the life, sound, and legacy of one of Canada’s most singular musical innovators, celebrating an artist who turned performance, technology, and mystery into something unforgettable.

Nash the Slash Rises Again! Promotional Tour TrailerOpens at Select Theatres March 13

Nash the Slash is an original. A living Phantom of the Theatre, unafraid to obscure himself, he’s often seen performing wrapped like a mummy, minus the Egyptian motifs, instead donning dark sunglasses and a stiff top hat. When we see him in Nash the Slash Rises Again!, he’s not just a silent film star, but a silver age minx. He exists in a space where noir sensibilities thrive. Nearly everyone knows the name, even if the sound itself feels ephemeral, electronic, and ahead of its time.

What’s presented in Tim Kowalski’s documentary brilliantly honours him like a living memorial. Rameses the Great would be jealous. When this musician doesn’t predate the theatrical shock of early Pink Floyd or Alice Cooper, but feels spiritually adjacent to them, evolving along a parallel creative wavelength. One suspects they’d have relished sharing a stage had the opportunity arisen.

With interests leaning heavily into the horror film genre, shock becomes part of the live experience for those fortunate enough to witness him perform. Not every show has him embodying The Invisible Man, but the theatricality remains central. His life and career are explored in thoughtful detail through Tim Kowalski’s documentary.

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Combo on the Run Primed and Ready to Showcase The Eraserheads and Their Amazing Legacy

Abramorama have acquired the Eraserheads documentary Combo on the Run, fast-tracking it for a North American theatrical release on April 24, 2026. The film explores the band’s legacy, reunion era, and cultural impact.

Eraserheads Combo on the Run DocumentaryRelease Date: April 24, 2026

AB2 Media Group and Abramorama have acquired the Eraserheads documentary Combo on the Run, fast-tracking it for a North American theatrical release. For many Filipino music fans, signature tracks like “Ang Huling El Bimbo” and “With a Smile” remain cultural touchstones. While the band may not be widely known in North America, their impact in the Philippines is undeniable, and this film explores the depth of that legacy.

Director and producer Maria Diane Ventura calls the partnership with Abramorama a natural fit. Known for distributing culturally significant music documentaries, the company brings experience and reach to a story that extends beyond music. Ventura notes that although the film centers on the band’s catalog, it also speaks to division, reconciliation, and healing during politically turbulent times.

Though rooted in the Philippines’ social realities, the themes of unity and rediscovery resonate globally.

From the Press Release:

Eraserheads: Combo on the Run chronicles the full arc of the Eraserheads phenomenon — from their formation as UP Diliman students in 1989, in the wake of the EDSA People Power Revolution that restored democracy in the Philippines, to becoming the defining soundtrack of a generation and staging a historic reunion run that drew nearly a quarter of a million fans. This marks the first Philippine music documentary distributed by Abramorama.

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With Amethyst, REIRIE Make a Daring Leap Into the Major-Label Spotlight

REIRIE make their major-label debut with Amethyst, a five-track EP blending guitar rock, emotion, and R&B, out January 28, 2026, alongside a nationwide tour.

REIRIE AmethystREIRIE, the duo formed by Rei Kuromiya and Rie Kaneko, will make their major-label debut with their first EP, Amethyst, on January 28, 2026. The release arrives via MoooD Records, a label under Bandai Namco Music Live. Ahead of the EP’s launch, the music video  “Aishiteyo” is available to view online and see how these two artists want to present themselves. It’s a mix of art nouveau and glam. In between the layers of stage presence and glam is a look that suggets more than leather and lace, but also stillness and motion. Their sound is a mix of J-pop meets Speed Metal, and although their style is hard to pin down, I’d say they are borrowing from not only the  Rococo but also historical Gothic.

Amethyst will be released in three version: the Rei, Rie, and a Standard Edition. The Rei release includes a Blu-ray featuring footage from the free live show held last year in Sept at Kabukicho Tower Stage. The Rie set includes a Blu-ray of the Tokyo performance from Reirie Live Tour 2025 – BaD＝DoLL –, held October 26. As a first-press bonus, each of them will include one randomly selected trading card from a set of six.

Musically, The advance digital single “BaD＝DoLL,” composed by Yuki Tsujimura and MEGMETAL, delivers a charged, dramatic rock sound.

 

“Aishiteyo,” created by the same team, leans further into raw emotion and heightened intensity, brought to life in the newly released music video.

Additional tracks include “Holy Brighters,” which portrays heroism that pushes forward despite doubt and anxiety, “Not Philosophy,” a song about strength and love expressed through feeling rather than words, and “Contact,” a soulful R&B-based track that embraces pain and inner conflict as part of personal growth.

In support of the release, REIRIE will launch Reirie Live Tour 2026 – Amethyst – in February 2026 around Japan. Locations are as follows:

Feb 1, 2026 – Chiba LOOK [Chiba]
Feb 7, 2026 – Hiroshima CAVE-BE [Hiroshima]
Feb 8, 2026 – music zoo KOBE Taiyo to Tora [Hyogo]
Feb 15, 2026 – HEAVEN’S ROCK Saitama Shintoshin VJ-3 [Saitama]
Feb 23, 2026 – F.A.D. YOKOHAMA [Kanagawa]
Feb 28, 2026 – KYOTO MUSE [Kyoto]
Mar 1, 2026 – OSAKA MUSE [Osaka]
Mar 8, 2026 – LIVE HOUSE enn 2nd [Miyagi]
Mar 13, 2026 – ell.FITS ALL [Aichi]
Mar 15, 2026 – HEAVEN’S ROCK Utsunomiya VJ-2 [Tochigi]
Mar 21, 2026 – Fukuoka DRUM SON [Fukuoka]
Mar 31, 2026 – Shibuya CLUB QUATTRO [Tokyo]

Tickets

REIRIEPremium Ticket: ¥18,000 (incl. tax)

(Premium tickets include guaranteed access to the front area, one cheki photo, and exclusive merchandise)
A Ticket: ¥6,600 (incl. tax)

*A separate drink fee is required for all ticket types.

 

Tracklist (all editions)

  1. BaD＝DoLL
  2. Holy Brighters
  3. Not Philosophy
  4. Contact
  5. AISHITEYO

About REIRIE

Formed in January 2023, REIRIE brings together Rei Kuromiya and Rie Kaneko, who previously performed in separate units before reuniting after several years apart. Their distinctive artistic vision has resonated strongly with fans, particularly women, and their striking visuals and powerful live performances have seen them appear at festivals in Japan and overseas. Their solo concerts continue to grow their nationwide audience.

Happy Holiday to All and a Joyous New Year. So Who’s Ready for 2026?

While parts of the world is experiencing a winter wonderland, we hope there’ll be snow in other parts of the Pacific Northwest that don’t get to see it often. Yes, we’re looking at South Vancouver Island…. Happy Holidays all!

Happy Holiday 2025 Gundam StyleChristmas is nearly upon the denizens of North America, which means the folks at Otakunoculture.com are sneaking off for a little over a week of well-earned R&R. We wish everyone a safe, cosy, and joyfully happy holiday stretch. Ideas for the new year are already rattling around in the back of our minds, though first we’ll be catching up on a few late-2025 releases that somehow slipped past us while the calendar was misbehaving. Darn those Gremlins.

In the meantime, enjoy these two YouTube hitlists we’ve put together in the past to help get you properly into the festive spirit. Even Crunchyroll has something to get in the proper anime spirit.

In the meantime, please enjoy these two YouTube hitlists we’ve made to get into the spirit. 

Kaiju, Dissentience’s Tribute to TOHO is Cosmic!

Dissentience’s new concept EP Kaiju turns classic Japanese monster mayhem and Lovecraftian dread into a four-part metal narrative, charting a nameless beast’s attack from first impact to ash-filled aftermath with riffs as heavy as the fallout.

Kaiju album coverFrom Bethlehem, PA, death metal / trash band, Dissentience, aims to please music lovers of this genre with an ambitious album, simply titled Kaiju. In keeping true to the story telling format, what this concept album offers are four tracks to which follows through the narrative beats of intro, rising action, climax and denouement that will no doubt track the birth to destruction. Shame there’s no comic book or short video announced at the same time, but when the theatre of the mind is involved, that’s all we need.

Scheduled for release on February 20, 2026, this concept album fuses dark horror, manic riffs, and existential lyrical dread into work that my gig for a local music magazine has given me an opportunity to listen to.
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The Secret Storylines K-Pop Demon Hunters 2 Needs

It’s official: K-Pop Demon Hunters 2 is happening, but fans may wait years. If the sequel leans into folklore, side stories and stronger character arcs, it could become a rare animated follow-up that truly matures with its audience.

K-Pop Demon Hunters movie posterIt’s official—K-Pop Demon Hunters 2 is a go. Fans, however, will have to wait perhaps four years before it arrives. That’s a tough pill to swallow for anyone hoping to see Rumi, Mira, Su-Min, and the rest of the team back in action. What made the debut spectacular was its blend of folklore and modern Korean pop culture—especially Rumi’s reluctant connection to the demon world, which now puts her at a crossroads between fame, duty, and peace.

Although the wait will be long, hopefully it’ll all be worth it. Fans have expectations—especially in seeing what’s next for the lead, and whether her demon boyfriend will come back. That forbidden attraction is what drew me into the tale. The trope is a variation on the Legend of the White Snake, a classic story where a goddess falls for a mortal man. Here, the roles are reversed, giving the story a fresh emotional dynamic. The beliefs about what happens to the soul are also distinct from other cultural takes, which makes this story feel uniquely Korean.

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