Wanda John-Kehewin’s Powerful Visions From The Fire Looks Toward Healing

In Visions From The Fire, Damon Quinn’s search for identity deepens through dreams, spirits, and painful truths. Wanda John-Kehewin and Nicole Marie Burton shape a thoughtful second chapter that blends coming-of-age drama with Indigenous spirituality and quiet emotional power.

Visions From The Fire Graphic Novel Cover_544x838
Volume Two is available on Amazon USA

HighWater Press

Wanda John-Kehewin and Nicole Marie Burton’s graphic novel The Dream series is beginning to take shape. With the release of the second volume, Visions From The Fire, the next stage of Damon Quinn’s journey is becoming clear. What’s presented here is more than a traditional coming-of-age story. To appreciate where it is heading, though, it helps to begin with the first book, Visions of the Crow.

Here, Damon feels like a ne’er-do-well, struggling simply to survive as high school graduation draws near. It is easy to sympathize with him. At school, he is bullied because of his mixed heritage. As a Cree-Métis teen, he is left wrestling with questions of identity and belonging. He does not know who his father is, and he desperately wants answers. At home, his relationship with his mother is strained by her alcoholism, often leaving him to spend as little time there as possible.

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At This Year’s Los Angeles Asian Pacific Film Festival, These Three Short Works Deserve Special Attention

Time flies at the Los Angeles Asian Pacific Film Festival, and what’s offered is a look at the shorts that show why the magic is alive for new talents looking to make a difference.

Los Angeles Asian Pacific Film Festival LOGOSome folks may well say the Los Angeles Asian Pacific Film Festival moved quite fast this year. I seem to recall that some years had more days added to it than others, and I’d have to check my archives to verify if that’s true or not.

As I reported before, I’ve chosen to look at the shorts presented this year and I suspect half of what’s presented will be available at other similarly themed events. When my focus is on the genre of magical realism, what I offer is a look at these shorts which really caught my attention above all other screenings. Sadly, when doing remote coverage, some films might not be accessible, and that’s okay. They may show up at Fantasia Film Festival or another local Asian celebration of movies next, and I’m crossing my fingers!

Ruya

Sany (Bernadette Balagtas) is a dreamweaver, and in this world, they are more than storytellers. They interpret life’s major events and it’s woven into a tapestry. Not everyone can read the colours and patterns put into the t’nalaks. I couldn’t help but want to be reminded about how strings intertwine in what The Fates from Greek legend weave; however, those threads have a different meaning. And unlike what the dreamcatcher does, what’s made here is more about remembering one’s heritage more than anything else.

Ruya Movie Picture Still

Sadly, after she suffers a heart attack, she can’t continue making this long piece of cloth. And it’s up to her daughter Ruya (Yssamei Panganiban) to understand what this tapestry means to the family. And when not everyone is familiar with indigenous Filipino culture, what’s revealed is fascinating!

I was captivated by the later moments as the film attempts to explain who Fu Dalu, the Spirit of Abaca, is. Even then, what this story presents is scratching the surface. Afterwards, I researched further, and I’m glad the aboriginal fascination with the Dreaming isn’t limited to Australia!

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