Tag: George Miller

Furiosa Needs To Be More Like John Wick If This Franchise Is To Continue

Not even Mad Max can escape the inevitable franchise fatique that defines Furiosa. Had it offered something new in this prequel story that put it in par with Classical mythology, then some folks wouldn’t be screaming about it.

Furiosa A Mad Max Saga Movie PosterI really wanted to enjoy Furiosa: A Mad Max Saga, but sadly, it didn’t have the same wow factor as Fury Road. When it clocks in at 148 minutes, I left the theatre feeling more exhausted than anything else. It could’ve been trimmed down to a more respectable run time, but I suspect writer/director George Miller didn’t want to. While he’s the master of the cinematic spectacle, it seems he can benefit from learning what to leave up to the imagination. With this latest, he may have fallen the way of George Lucas.

Some franchises are better off not continuing. But when every film has Miller involved, maybe he should’ve let Fury Road be the high-note to end at. Instead of offering prequel tales a la The Clone Wars, which is what this latest felt like, just offer a miniseries to flesh out those characters whom audiences love.

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After Three Thousand Years of Longing, Should That Be, “I’d Do Anything For Love?”

Perhaps Miller is planning on a sequel to answer a rather unusual plot hole in Three Thousand Years of Longing..

Three Thousand Years of LongingI’m no stranger to the djinni narrative when considering my love for One Thousand and One Nights, but as for being as well versed as Dr. Alithea Binnie (Tilda Swinton) in Three Thousand Years of Longing, she has me beat. As a narratologist (an individual who studies tales which impact our perception of culture in the world around us), she knows something that mythologists don’t. This tale is as compelling as Bill Moyers’ interview with Joseph Campbell (Power of Myth), and what’s explored considers why this trope persists to this day. The last work I read was Three Little Wishes, which is a British take on the concept.

In what George Miller deconstructs may well be a Australian verion. He examines the rules for living a fulfilling life over being confined to the mundane. That’s the problem Binnie faces, and when she awakens the Djinni (Idris Elba) in the bottle, what he offers condemns her world view–she knows his kind from literature. And when he tries to rebuff the stereotype, the fun tête-à-tête they have reveals a look of his life and those he’s attempted to make better–if it can be called that. But sadly, he’s been forced to return to the glass container every time.

 

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