Chris Sanders Archives | Otaku No Culture

With Lilo and Stitch in 2025, What’s Significantly Bad Isn’t All That Extremely Good

Disney really should stop remaking fond classics, especially with Lilo and Stitch, and simply concentrate on coming up with original material.

Spoiler Alert

The live-action Lilo and Stitch movie will not please everyone, and when it’s significantly different from the original material, not everyone is going to enjoy it. When this young girl’s relationship (wonderfully played by Maia Kealoha) with Myrtle (Emery Hookano-Briel) is nonexistent, I groaned. Their conflict makes up a significant part of the series as this rival believes her family is better than most Polynesians. To be exact, this girl has a superiority complex. And as for the two aliens who would eventually become friends with the title characters, even I was wondering why change them up that much?

A lot of the humour comes from Jumba’s mad god complex and Pleakley’s belief he knows this world. Even in the alt-universe versions of the series, the new showrunners never changed their purpose; and I’ve looked at both Stitch! and Stitch and Ai (review links) to know why some characters stick around. Zach Galifianakis and Billy Magnussen are decent when performing their own stuff, but when trying to live up to the past material, they really do not measure up.

Without this double act done proper, what’s presented doesn’t make too much sense. I wanted to hear the big hippo hybrid speak with a Russian accent. As for the one eyed alien, what made him a fan favourite is because of all the cross-dressing ventures. Even in human form, to see Billy confused about gender roles and still wear a dress would’ve been a hoot, but it was not done! Continue reading “With Lilo and Stitch in 2025, What’s Significantly Bad Isn’t All That Extremely Good”

Everything Computes in The Wild Robot

The beauty that’s found in The Wild Robot concerns how to let go, and reuinite with those who you love. It doesn’t matter if the species is man, machine or mammal.

The Wild Robot is a perfect return to form. When Chris Sanders and Dean DeBlois are working together to craft (or adapt) a story, there’s magic to behold. Although I can recognize the tropes they’ve been using ever since Lilo and Stitch (concerning runts of the litter and the Ugly Duckling motif), what’s presented in DreamWorks latest is a variation of that formula. Here, it’s about the relationship between machines and nature.

Here, the focus is on how creatures all great and small can get along and is more concerned about survival in a wild frontier. When a delivery of robots gets lost during a storm, I can imagine the company who made them can always build more rather than retrieve the items for scrap. As for the one who activated, Fink (Pedro Pascal) bypasses his natural fox instinct to teach the machine about the rules of the jungle.

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Top Five Animated Films To Look Forward to this Fall/Winter

Just how many animated films getting released world-wide needs to be counted. While I’m still anxiously waiting for White Snake 3, I have this guide to the American made works that will be out soon and later this year.

As my review of Transformers One have shown, not every film is worth checking out. That’s because I’m a die-hard fan of the original and Prime series. When this work completely changes the lore around, it’s fallen out of my list.

Also, there’s two films which have yet to make a North American side debut. They deserve an honourable mention, and nobody should be surprised that White Snake 3 and The Royal Cat, both Chinese animated movies needs to get marketed here. And there’s also Mononoke: The Movie from Japan!

THE WILD ROBOT
Sept 27

The Wild Robot Movie Poster - Animated Films Chris Sanders is back, working at DreamWorks and I couldn’t be any happier. He’s done wonders with fond properties like Lilo & Stitch as well as How to Train Your Dragon. Whether that’s as an illustrator or director, there’s something about his visual style which makes those works stand out. Now that he’s helming this adaptation of Peter Brown’s bestselling illustrated book of the same name, and how he’ll apply his trademark should be exciting.

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When Infighting Causes Problems with a Nest of Vampires

The world is very familiar, and anyone not paying attention will miss the punch line early in the film. We’re led down a story that’s one part heist (seeing an innocent girl get kidnapped) and another part recovery (of said woman) and vampires are involved!

By Ed Sum
(The Vintage Tempest)

Coming to Digital
March 15th
Amazon, Tubi, iTunes

Exclusive screening on Facebook March 13, 2021 at 1 PM PST

When human blood suckers gather, what are they called? Is it a coven or a cauldron like the bats they are? It’s hard to say, but Chris Sanders’ Nest of Vampires is an aptly named film about a cadre who is having trouble keeping quiet in a small town in England. Kit Valentine (Tom Fairfoot), a top MI5 agent, lost his wife to a group of them and the authorities are not investigating. His daughter, Anna (Daria Krauzo), is kidnapped and no self-respecting father will let this case go cold.

Had Dracula ever wanted to lay down an empire as detailed in Bram Stoker’s novel, this movie would be a perfect followup! There’s no relation to the Victorian work. Instead, this crowdfunded film project by Sanders is styled to fit in the world of The Lost Boys. Yes, the setup is cheesy, and this nest is in over their heads, but the concept nicely works.

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Evolution is in Trouble with The Croods: A New Age

Add in how one hominid family differs from another, and if the advances in technology (ala Gilligan’s Island) are good, I would say making a new Netflix series should have been considered instead.

Next of Vampires By Ed Sum (The Vintage Tempest)

Available on VOD
For outlets, please visit www.watchcroods.com

A DNA sequence must be missing to make The Croods sequel, New Age stand out. One problem is the time it took to make this animated film. Seven years, not including the Netflix prequel, is quite the long time. One issue is because of Universal Pictures’ acquiring the DreamWorks Animation and the uncertainty which resulted. The other is handing over the directorial reigns to story artist, Joel Crawford.

This franchise created by Chris Sanders and Kirk DeMicco is good. Who doesn’t love a Flintstones like family trying to make sense of a changing world? The duo had ideas. Whoever said their story required the help of The Hageman Brothers, Paul Fisher, and Bob Logan to fine tune needs a rock tossed at him.

Continue reading “Evolution is in Trouble with The Croods: A New Age”

Booyah! Looking at How Dawn of the Croods Fits in the Continuity

By Ed Sum (The Vintage Tempest)

Dawn_of_the_Croods_poster

The translation of the family-adventure comedy film The Croods to a Netflix television sitcom, simply titled Dawn of the Croods, works well enough to sate fans of prehistory’s first dysfunctional family. To see them survive being turned from a 3D to hand drawn animation in Dawn of the Croods is great. The character designs are faithful to the film’s cave drawn intro. The two that stand out are Sandy (the youngest child, voiced by Grey Griffin), who takes after the eldest, Gran (Laraine Newman), in looks while Ugga (Cree Summer) — the matriarch — tries to keep the family together Flinstone’s style. She rarely gets livid, and the best episode of this lot is with the eighth episode, “Mom Genes.”

The later half of the 13 episode full-season release is far more engaging, and this series is amusing because the problems the Croods family has to deal with is typical for a modern nuclear family. There are moments where this series becomes reminiscent of Married…with Children meets Family Guy. Had the writers dealt with authentic problems cave people faced, one of them would have included how they turned from hunter gatherers to agrarian. They trade in meat instead of plants. Surprisingly, this concept is gently explored when the tween, Eep (now voiced by Stephanie Lemelin) decides to become vegetarian and tries to convince her family to switch in “The Garden of the Eaten.”

Continue reading “Booyah! Looking at How Dawn of the Croods Fits in the Continuity”