The ghost with the most is back, and I feel Beetlejuice Beetlejuice isn’t as raunchy as the original. The music is also very different. In the original, Adam Maitland (Alec Baldwin) loved Harry Belafonte‘s calypso music and therein lies the problem: roughly thirty years have elapsed and we’re in the disco age! While I don’t mind the tunes from this era to indicate a passage of time, the new tone feels out of place.
Although he and his wife died, and were supposed to be stuck in their forever home, they’ve moved on instead of continue living in harmony with Lydia Deetz (Winona Ryder). The thought they reincarnated would’ve been an okay plot for a reunion movie, but the story is about dealing with PTSD. This continuation is very fitting, and now it’s up to her daughter Astrid (Jenna Ortega) to not die herself. It makes me wonder if writers Alfred Gough, Miles Millar, Seth Grahame-Smith intentionally stole from the new Ghostbusters movies or not. The tropes are all the same.

Disney’s film entertainment division really need not turn all their past animated hits to live-action spectacles. That said, Dumbo is the latest and while it looks terrific in a post-World War I America setting, none of the backstories matters. Holt Farrier (
The question of what makes pop art marketable is at the center of what 
Rekindling certain flavors of 80’s cartoon-dom requires certain key characters to enter the video library. At the tail end of this decade came Beetlejuice, the animated series. This ghost with the most’s violent tendencies were toned down and for some unknown reason, both him and Lydia Deets are best-pals.