Tag Archives: Osamu Tezuka
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Tees Please: Paul Reubens and Astro Boy

1 Jul

By James Robert Shaw (The Wind up Geek)

This is a new segment on Otaku no Culture, one where we explore the t-shirt, that talkative piece of clothing that has (through the decades) bared powerful political statements, expressed the wearer’s feelings, and has caused fits of laughter or bouts of disgust. I’ll be posting photos sourced from different media and in those posts I will try to give proper credit not only of the photographer but of the manufacturer of that certain tee.

There are times it won’t be possible and we will be asking you, the public, to help us fill in the missing information. In my travels I will also be asking people permission to snap photos of cool tees that I spot in the street. So if I come up to you to ask for a photo, please don’t be shy and know that I won’t be asking to take a snap of your face, just the shirt you’re wearing.

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1001 Knights, or should that be Otaku no Culture Celebrating 1001 Posts?

15 Jun

A_Thousand_and_One_Nights-VHSBy Ed Sum (The Vintage Tempest)

In honour of Otaku no Culture’s 1001th post instead of 1000, I fondly recall an animated feature film, 千夜一夜物語 — Senya Ichya Monogatori (A Thousand and One Nights) (1969), from Japan which never got a fair treatment outside of its own country. The reason is most likely because it was very risqué for its time; it was x-rated. I recall securing a VHS copy decades ago because any title based on literature appealed to me. Where it went now, well, I have to dig through my boxes of stored tapes to see if I still have it. Sadly, not every old anime I want to get replaced got a DVD release when I wanted to. The original Japanese language instead of the trippy English dub is available through YESASIA.

Part of why I was intrigued with this series is because this anime was an idea Osamu Tezuka (Astroboy) thought of. He believed not every product should be youth friendly and a study on Cartoon Research wrote:

…Tezuka, a fan of animation in all forms, was concerned by animation’s reputation as being for children only. He wanted to show that animation could be for all age groups and all interests. In the late 1960s he determined to produce theatrical animation features that would obviously be for adults rather than for children. These would be erotic but in good taste; the animated equivalent of America’s Playboy magazine. All of Mushi Pro’s resources would be behind them – with mixed results.

Eiichi Yamamoto served as director. In what the two crafted was based on the most popular of the tales presented in the original Arabic tale, One Thousand and One Nights — of which have been many adaptations. Aladdin and Sinbad are the heroes in this film. The exotic quality of the production was what drew me in and one day, I will put the DVD on my shelf again, next to Tezuka’s The Phoenix.

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