Steve Wang and an Amazing 40 Years in the Makeup Effects Industry. Reflections on the Film That Defined His Career: Kung Fu Rascals

Not everyone will be aware that Steve Wang’s career as a master creature effects artist is approaching 40 years!

Kung Fu Rascals Blu-ray
Available to preorder on Amazon USA

Steve Wang’s behind-the-scenes credits are vast, and to talk to him about the work that got him recognized as an award-winning creature creator and master FX artist was an absolute pleasure. He grew up watching shows like Ultraman, Super Sentai along with many Japanese monster movies which would later influence his creations.

One movie that helped him get recognized in Hollywood was Kung Fu Rascals, which was very DIY, funded out of his own pocket when studio support faded, and it’s now finally getting a Blu-ray treatment from Visual Vengeance, a subsidiary of Wild Eye Releasing.

This film emerged in the early 90s when the tokusatsu genre was truly getting a foothold in North America. Before then, martial arts films with stars like Bruce Lee and Jackie Chan were all the rage. Fans wanted more, the style that transitioned out of one decade to another certainly influenced this filmmaker. He loved all those classics and they certainly had an influence on his style.

And to know more about where he came from, I had the opportunity to talk to him.

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[Fantasia 2024] When A Samurai in Time Isn’t Like Enemy Mine. It’s About Absolutes.

What’s unique to this dramatic comedy is that we’re left wondering what caused A Samurai in Time to travel to the future and decide to remain?

A Samurai in Time Movie Poster
Played at Fantasia Film Festival 2024 on July 28, 2024

Even if you know nothing about Jidaigeki, a genre of Japanese action films set during the Meiji period, A Samurai in Time will make you a fan! It’s twice as good as Rurouni Kenshin and as a modern day drama about what’s worth fighting for, that’s up to Shinzaemon Kosaka (Makiya Yamaguchi) to decide. After his warrior class got disbanded, he’s a soldier without a cause. After a lightning storm interrupted a duel he was going to have with Yamagata Hikokuro of the Choshu Clan (aka Kazami Kyoichiro), just where he lands is modern day Kyoto.

All those conflicts between the factions from his days are now the stuff of entertainment. And sometimes, we delve into the historical significance of who is in the right for the unification, but what matters more is what this warrior class does if any individual loses that stewardship. This theme gets a soft exposition as Kosaka finds a new career as a Yamaguchi, a type of stuntman who performs an absurd pose as he dies.

Continue reading “[Fantasia 2024] When A Samurai in Time Isn’t Like Enemy Mine. It’s About Absolutes.”

A ‘Monster’ Talk with The Frankenstein Complex Filmmakers & Its Release, and Interview

As much as we love Clive Barker, it didn’t fit with what we had in mind in The Frankenstein Complex.

Gilles Penso – Movies, Bio and Lists on MUBI

Since the early days of Hollywood becoming the hub of movie-making to now, the approaches to making monsters come alive often required experimenting. The first creature creations were Dracula and Frankenstein. However, historians know Georges Méliès The Haunted Castle (1897) had skeletons dancing about. It wasn’t until Thomas Edison‘s 1910 short film, Frankenstein’s Monster, that gave Americans a taste of what cinematics can offer! Lon Chaney‘s contributions in how to achieve the horrific only furthered the horror film genre in its infancy. He took extremes in his makeup design to become the Man of a Thousand Faces.

Much of this history is quickly explored in directors Gilles Penso and Alexandre Poncet documentary Creature Designers: The Frankenstein Complex, but it hurries to get to the masters from the 60s and onwards. Their passion is certainly very evident. But it should be noted It’s tough to pack a complete look of creation of monsters in cinema with a 107 min runtime. A lot of details like the why isn’t always delved into–that’s all saved for the blu-ray package which consists of two documentaries, many extended interviews and an interactive video, which is now available to purchase online (like Amazon USA).

Alexandre Poncet - UniFrance

The standalone documentary scratches the surface to what makes a monster appear magical on screen. The latest documentary on Phil Tippett shows why he’s so deserving of those Oscars he earned over the years. He’s also being honoured at Fantasia Fest 2021 as his stop-motion pièce de résistance film, Mad Gods, debuts!

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The Deep Ones with Chad Ferrin on H.P. Lovecraft and One Filmmaker’s Vision…

The Deep Ones Movie PosterPlease visit Facebook for their latest updates.
Coming to DVD, Digital, Video On Demand, and Redbox Kiosks on June 15

Chad Ferrin‘s The Deep Ones will soon get a limited theatrical release in the United States beginning April 23rd and for fans of H.P. Lovecraft, the themes this film dives into are faithful to the ideas this seminal author conceived long ago. But there are a lot more works which have can be seen in this film.

He grew up watching the classics–namely The Twilight Zone, Hitchcock Presents and The Outer Limits. and some of that style is visible in this b-film. But in order be able to make any film, he had to work hard to get where he’s at. Not only did it mean moving to Los Angeles, but also knowing the right people. Mike Leahy of Phantoms and Pulse fame gave him his break, and when the call came, he was ready! He started work as a production assistant in Back to Back with Michael Rooker and as also a body double.

I had to have a smile and be wide-eyed every day,” acknowledged Ferrin. His hands on experience in various departments would help him understand how a film comes together, and by the time he was ready to produce his own material and direct, he knew how to manage everything. 

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Fantasia 2020 Helps New Filmmakers Navigate the Clapboard Jungle

For any aspiring filmmaker, Clapboard Jungle is a must watch. Breaking into the industry is tough and to get noticed is even harder. This documentary is just as much as an educational resource as well as a guide on what to expect for anyone wanting to dive right in!

Clapboard JungleBy Ed Sum
(The Vintage Tempest)

Playing at Fantasia Digital Film Festival 2020 On Demand till Sept 2. Buy your virtual ticket here.

For any aspiring filmmaker, Clapboard Jungle is a must watch. Breaking into the industry is tough and to get noticed is even harder. This documentary is just as much as an educational resource as well as a guide on what to expect for anyone wanting to dive right in!

Many talents ranging are interviewed revealing to you what’s needed to start and keep producing. Names not as familiar, like Jen Wexler have plenty to reveal in this industry. This work is not about how Guillermo del Toro and Lloyd Kaufman did it. We all know from printed works about how hard they worked to where they are. I’m impressed at seeing Richard Stanley (Colour out of Space), Tom Holland (Child’s Play) and Sam Firstenberg (Ninja 3: the Domination) give their discourse on the industry.

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Foley Artists are the Actors of Sound, A Documentary Review

Actors of Sound Movie PosterComing to VOD and iTunes on Feb 27th.
Also continuing to play at select Film Festivals. Please check local listings.

Actors of Sound is a solid, insightful and fascinating documentary about one stage of the process which makes cinema come alive. Without it, the cute waddle we hear from E.T. the Extraterrestrial moving about would not be there. These days, part of the sound mix is created on the computer and fully assembled. Back in the golden age of cinema, the talents had to innovate. To come up these nuances with limited resources and splicing magnetic tape was a real thing! In the early days of cinema, the work was difficult. People were most likely recruited from radio since timing was important — and the history of this art can be traced to the pioneer of the craft, Jack Foley.

Other talents this full-length feature includes are John Roesch, the mastermind behind giving life to E.T., and Ross Taylor who led the work behind The Exorcist. Twenty-three talents from around the world were interviewed. Each of them offers their own unique perspectives on how this work is done in their native country. India is unique because of the extravagance some of their films are made. Back in the United States of America, Kitty Malone became the first female Foley Artist to work in Hollywood. She did all the dancing we hear (not see) in Liza Minnelli’s movies. They were not recorded as the microphones were intent on catching the vocal tracks than ambience.

This feature is not about the secrets. Instead, it’s about the life and times of those dedicated to this craft. It also becomes part of the romance. Relationships emerged and having a connection to the actors in the film is just as important. A lot of these talents become the celebrity when recording the same footfall they make. These audio artists describe the work as a joy. This exploration shows people “playing in a sandbox and having fun” with it. They are essentially painting a picture with sound.

A gentle plot helps guides viewers to this visual thesis. The threat of going completely digital — using huge sound libraries to put in each sound we hear in a television show or film — to replace these talents is mentioned. An answer is given: the human element is important. The pros and cons are weighed in. Although the stance these talents reveal is obvious, hopefully a revolution can happen to keep this aspect of film/tv production ongoing.

5 Stars out of 5

Actors of Sound Trailer

[youtube https://www.youtube.com/watch?v=NysKpHJUPNg&w=560&h=315%5D