Look Out! The Skywatcher is Coming, And There’s No Need To Be Scared.

Part two of the Skywatcher trilogy heads to Bradshaw Ranch, trading hard answers for atmosphere and suggestion. With gorgeous drone work and speculative skywatching, this middle chapter feels more like a field guide than a revelation.

Skywatcher

Skywatch, Skywatcher and Skywatched Make Up This Trilogy

Bradshaw Ranch is back under the magnifying glass, and this time Dan Starkey and Clive Christopher (of Unearthed) are poking around Sedona, Arizona to see what kind of cosmic dust is being kicked up. Usually, their eyes are glued to the skies, scanning for UAPs drifting over the desert. In part two of a trilogy flying under the Skywatcher banner, and no, I did not spiral into thoughts of Skywalkers or Skinwalkers. What we get isn’t a deep excavation of theory but more of a starter kit. It’s a gentle “here’s how you might flag down the weird” guide for anyone tempted to pack a flashlight, find a mate to protect your back, and go hunting for an unexplained encounter.

The region near the Superstition Mountains has long been steeped in lore. Indigenous stories, frontier myths, whispers of hidden gold and stranger things. If cryptids once roamed the Wild West, I would not be shocked. That’s not the path this documentary takes. Instead, it leans into the idea of energy, where it’s coming from and if it is sentient. Maybe this force is stirred up by human intention, or perhaps by something less visible and more elusive. If I ever decide to go hunting for hematite, well known in New Age circles for its “grounding” properties, I now know where to start. Still, much like the cautionary tales about removing lava rocks from Hawaii, I suspect the desert might not appreciate souvenirs either.

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Combo on the Run Primed and Ready to Showcase The Eraserheads and Their Amazing Legacy

Abramorama have acquired the Eraserheads documentary Combo on the Run, fast-tracking it for a North American theatrical release on April 24, 2026. The film explores the band’s legacy, reunion era, and cultural impact.

Eraserheads Combo on the Run DocumentaryRelease Date: April 24, 2026

AB2 Media Group and Abramorama have acquired the Eraserheads documentary Combo on the Run, fast-tracking it for a North American theatrical release. For many Filipino music fans, signature tracks like “Ang Huling El Bimbo” and “With a Smile” remain cultural touchstones. While the band may not be widely known in North America, their impact in the Philippines is undeniable, and this film explores the depth of that legacy.

Director and producer Maria Diane Ventura calls the partnership with Abramorama a natural fit. Known for distributing culturally significant music documentaries, the company brings experience and reach to a story that extends beyond music. Ventura notes that although the film centers on the band’s catalog, it also speaks to division, reconciliation, and healing during politically turbulent times.

Though rooted in the Philippines’ social realities, the themes of unity and rediscovery resonate globally.

From the Press Release:

Eraserheads: Combo on the Run chronicles the full arc of the Eraserheads phenomenon — from their formation as UP Diliman students in 1989, in the wake of the EDSA People Power Revolution that restored democracy in the Philippines, to becoming the defining soundtrack of a generation and staging a historic reunion run that drew nearly a quarter of a million fans. This marks the first Philippine music documentary distributed by Abramorama.

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Star Light, Star Bright: Is Elizabeth Taylor Rebel Superstar a True Delight?

A thoughtful three-part primer on Elizabeth Taylor Rebel Superstar that spotlights the studio system’s control, her hard-won agency, and the legacy she forged beyond scandal, including her later advocacy and Live Aid appearance.

Elizabeth Taylor: Rebel Superstar promo card, BBC documentaryPassion Pictures
Coming to Hollywood Suite Dec 26th

At long last, the BBC documentary Elizabeth Taylor: Rebel Superstar is turning up on additional distribution channels. Not only does it offer a revealing look at the old studio system, it also delivers a fitting examination of Taylor’s life. Not everyone today understands how that system functioned, and I appreciate this work for acting as both a reminder and an introduction to how things once worked. Although she hit the scene years after Chaplin and the true Golden Age, she endured through its twilight and well into the Silver Age.

One detail that truly hits a nerve is how young performers were treated. They were expected to “perform” whenever required and were handled as commodities rather than people. While this exploitation predated the case of Jackie Coogan, whose earnings were famously squandered, the documentary makes clear that the damage took many forms.

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On How The King of Color Transformed How The Industry Saw The Rainbow

When you ask a graphic designer who The King of Color is and if that individual does not say Lawrence Herbert, it’s best to hire someone else to get your visual design made.

The King of Color PosterPicturehouse Movies
Playing at select theatres beginning Dec 12

Lawrence Herbert is a name few will recognize, but for anyone in illustration, graphic design, fashion, or printing, he’s an individual widely respected. He built the system that standardized how color is described, visualized, and mixed. In doing so, he became The King of Color—which is also the title of this biograph. Normally I’d lean on Canadian spelling, but for this story, American convention feels appropriate. After all, this revolution began in the United States.

When a curious child asks a teacher why one drop of black on white differs from three, they’re told it’s a subtle gradient. And this individual was that kind of child. He was wide-eyed, fascinated, and drawn to the magic of the moving picture. His love affair with cinema began when he saw The Charge of the Light Brigade. His father worked various jobs, and when he became a projectionist, young Herbert all but lived in the theater. He wasn’t just there for the pulps; he was there to learn. Some of that spark still glows in him nearly ninety years later.

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A Merry Little Hollywood Suite Roundup for a Spectacular December

This December’s Hollywood Suite line‑up mixes glamour, grit and nostalgia with new documentaries, classic cinema retrospectives and a stacked selection of seasonal films perfect for cozy nights in.

Hollywood Suite LOGOHollywood Suite is getting into the holiday spirit by unwrapping a trio of exclusive premieres this December, offering a festive blend of Hollywood history, pop‑culture icons, and nostalgic film deep dives that should please viewers settling in for the season.

The headline attraction is Elizabeth Taylor: Rebel Superstar (2024), executive produced by Kim Kardashian. This three‑part docuseries reframes Elizabeth Taylor as not only one of Hollywood’s most celebrated performers but also a celebrity who fundamentally changed how the world engages with superstardom. The documentary also explores her influence as a businesswoman and activist, featuring reflections from Sharon Stone, Joan Collins, and Paris Jackson. Part one premieres December 26 at 9 PM ET on the Hollywood Suite 2010s+ channel, with on‑demand availability the same day.

Elizabeth Taylor- Rebel Superstar

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Lunatic: The Luna Vachon Story Pays Tribute to Wrestling’s Boldest Outlaw

Lunatic: The Luna Vachon Story is a fierce, compassionate portrait of a trailblazer who refused to shrink herself for anyone, charting how she carved out space in a hostile business and the cost that defiance carried behind the curtain.

Lunatic- The Luna Vachon Story
Also coming to Hollywood Suite 2010s+ channel (Canada) On demand on Dec 1, and on Dec 16 at 9 PM ET

Vancouver, BC Premiere
November 26 at the Rio Theatre
* with director Kate Kroll and guests in attendance for a post-screening Q&A.

The Vachon family’s influence on professional wrestling is legendary, and Lunatic: The Luna Vachon Story narrows that legacy to one of its most compelling figures. Once Gertrude “Trudy” Elizabeth Vachon committed to the ring, she knew she had to stand out. She built the character of Luna—fierce, theatrical, and utterly impossible to ignore—and pushed every button she had to. In an environment that wasn’t built to welcome her, she crafted a persona that looked right at home in a Mad Max wasteland.

The film opens during what many consider wrestling’s most electrifying period: the WWF “Attitude Era” of the late 1990s and early 2000s. It was a time when spectacle often overshadowed sport, and some performers used that fame to pivot into film careers. Luna took a different path. She stayed committed to the craft itself, valuing sportsmanship over the hype.

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