It’s easy to jump right into the world of Agatha Christie with the release of A Haunting in Venice last weekend. It’s based on her novel Hallowe’en Party and has the right amount of spooky ridden moments to sate fans of the paranormal. That’s because of where the story takes place, and I wanted to see what Director Kenneth Branagh and writer Michael Green‘s take on it would be like, since it’s all about rationalising what’s going on and saying whether life after death is indeed real.
This author does have an interest in it, but it’s nowhere like how other detective agencies approach the subject. I did not see this movie because it continues Hercule Poirot’s life as a detective on the silver screen. As much as I respect Branagh for remaking and delivering a modern polish to Murder on the Orient Express and Death on the Nile, just how he delivers that product when I have a fondness for the originals is not my cup of tea. Thankfully this one hasn’t been adapted before, and that’s enough reason for me to go see how spooky this filmmaker can deliver the goods.
