A Nerd’s Guide to the 2025 Vancouver International Film Festival

The 2025 Vancouver International Film Festival is less than a month away! And we got our guide on what to see.

2025 Vancouver International Film Festival PosterThe 2025 Vancouver International Film Festival guide is out, and it looks amazing compared to prior years! That’s because the lineup includes a piece from Steven Kostanski. Without him, I would not be planning a trip to the mainland to see this film! While this event rarely offers a proper Midnight Madness mini-festival within, this year looks like it may well be a star. Let’s hope so, because who doesn’t want a bit of terror this Autumn season?

The following are my top ten picks:

Arco

Arco 2025 Animated Sci-Fi Fantasy Movie Poster by Ugo Bienvenu at VIFFDir. Ugo Bienvenu

Chasing a rainbow through the woods, Iris encounters Arco, a boy who has stolen a time-travelling suit from his scientist parents and crash-landed in 2075. This charming animated fantasy blends futuristic adventure with heartfelt storytelling, offering a visually inventive world that appeals to all ages.

Bienvenu’s work has always blurred the line between retro charm and forward-thinking sci-fi, making this a must-see for animation enthusiasts.

Deathstalker

Deathstalker 2025 Fantasy Horror Action Reboot Movie Poster by Steven Kostanski at VIFFDir. Steven Kostanski
(read our interview with him here)

As the Dreadite horde cuts a path of destruction across the land, one man wields the power to rid the world of their evil — Deathstalker, a relentless and courageous hero. FX master Steven Kostanski conjures a bloody, entertaining hack-and-slash adventure, brimming with over-the-top action and dark humour. This reboot of the original film from _ is sure to please, and with this creative mind behind the production, it’s sure to be bloody! And for those unable to visit Vancouver for this cult classic, Shout! Studios will release it Oct 10th, 2025.

With Kostanski steering the gore and fun, this could very well be the new gold standard for fantasy revivals.

Dead Lover

Dir. Grace Glowicki
Dead Lover 2025 Indie Horror Romance Movie Poster by Grace Glowicki at VIFF

A foul-smelling gravedigger’s romance ends in tragedy, prompting her to attempt resurrection through a series of madcap scientific experiments. Glowicki and Ben Petrie inject zany, DIY horror energy into this modern twist on Mary Shelley’s classic themes of love, loss, and reanimation.

Glowicki’s quirky, hands-on aesthetic makes this one to watch for fans of experimental Canadian cinema.

Foreigner

Dir. Ava Maria Safai
(Read our movie review here)

Foreigner 2025 Canadian Coming-of-Age Horror Movie Poster by Ava Maria Safai at VIFF

An Iranian teenager who recently immigrated to Canada struggles to fit in at her new high school. Pressured to conform, she unintentionally unleashes a demonic force rooted within her. This darkly humorous coming-of-age horror explores identity, cultural tension, and the supernatural in clever, unsettling ways.  By weaving cultural anxieties with supernatural dread, this film echoes the grounded terror of early Cronenberg.

Dracula

Dir. Radu Jude
Dracula 2025 Satirical Horror Comedy Movie Poster by Radu Jude at VIFF

A bawdy deconstruction of Romania’s most notorious legend, Radu Jude’s Dracula parodies the use of AI in filmmaking while delivering a cinematic feast of irreverent humour. The film is a multi-layered, genre-bending experience with six interwoven narratives designed to amuse and provoke.
Jude’s fearless satire might make this the most divisive entry of the festival — and that’s exactly why it belongs here.

Honey Bunch

Dir. Madeleine Sims-Fewer & Dusty Mancinelli
Honey Bunch 2025 Psychological Horror Drama Poster by Madeleine Sims-Fewer and Dusty Mancinelli at VIFF

After awakening from a coma with memory loss, Diane is taken to an experimental treatment centre in the wilderness by her husband, Homer. As visions of past trauma surface, Diane slowly uncovers dark truths about her marriage in this tense psychological drama that blends horror, mystery, and emotional depth. Sims-Fewer and Mancinelli excel at intimate, unsettling character studies — expect this one to linger long after the credits.

Nirvanna the Band
the Show the Movie

Nirvanna the Band The Show The Movie 2025 Canadian Meta-Comedy Poster at VIFF

Two eccentric dreamers experience a freak accident that propels them back to 2008. Their inadvertent meddling wreaks havoc on the timeline, unleashing a riot of pop culture references, copyright-defying antics, and surreal gags. The result is a wildly inventive, meta-comedic journey through nostalgia and absurdity. Expect this to be a fan-service riot for those who followed the original cult TV series — and a trip for newcomers, too.

OBEX

Dir. Albert Birney
OBEX 2025 Retro Video Game Fantasy Lo-Fi Horror Poster by Albert Birney at VIFF

A computer nerd finds himself transported into a video game fantasy world when his dog is taken by the evil demon Ixaroth. Birney’s lo-fi adventure fuses analog horror with RPG mechanics, creating a nostalgic, black-and-white vaporwave aesthetic that celebrates retro gaming and DIY ingenuity.

This project feels like a love letter to gamers who spent nights with VHS rentals and pixelated screens.

Memory of Princess Mumbi

Dir. Damien Hauser
Memory of Princess Mumbi 2025 Afro-Futurist Speculative Film Poster by Damien Hauser at VIFF

Can a filmmaker depict the future without AI? Damien Hauser crafts an Afro-speculative fable set in a resurrected African kingdom, blending romance, war, and epic storytelling. A micro-budget yet ambitious cinematic experiment, the film is fueled by digital innovation, imaginative visuals, and deep emotional resonance.

This feature could be the sleeper hit of the festival, showing how vision and creativity can eclipse budgetary limits.

Resurrection

Resurrection 2025 Surreal Fantasy Dreamscape Film Poster at VIFF

In a fractured reality where humanity has lost its ability to dream, a Fantasmer becomes a puckish outlier, slipping into the dreamworld and reincarnating across a century. Each rebirth unfolds within a different film genre, offering a kaleidoscopic exploration of imagination, memory, and the enduring human desire to create.

Expect cinephiles to adore this genre-shifting ride — it’s practically a love letter to film history itself.

Sizzle Reel for the
2025 Vancouver International Film Festival

Anyone Not Watching Angela’s Shadow at the Vancouver Film Festival Are Missing Out!

Angela’s Shadow is a mixed-genre piece that’ll satisfy not only people wondering what went on in Canada’s Colonial past, but also horror film enthusiasts.

Angela's Shadow Movie Poster
Playing at the 2024 Vancouver International Film Festival

Remaining Screenings:
Oct 05 International Village 8

By saying Angela’s Shadow is the perfect ghost story, I hope the expectations generated are not too much. That’s because this tale looking at aboriginal life effectively portrays spirits as only vengeful when they must. Although that was not Jules Koostachin’s intent when she wrote the screenplay with Steve Neufeld, the way her direction brought out the supernatural is just beautifully executed. These entities are not inherently evil but matter-of-fact entities who sometimes want to be noticed. But what this story is concerned about is the living, and how this character (Sera-Lys McArthur) wants to return to her roots. She was stolen by white men who believed indoctrinating indigenous youths to their society was important.

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The NFB at Vancouver Film Festival 2023. Premiering Four Special Works

Now that this year’s Vancouver International Film Festival is in full swing, we offer a list of what The NFB is presenting.

The NFB LogoThe NFB has four special works now playing at the 2023 Vancouver International Film Festival. 

First up is the feature-length documentary WaaPaKe: Tomorrow, directed by Vancouver-based filmmaker Dr. Jules Arita Koostachin. This work is important because of what was discovered years ago, bodies of children in unmarked graves by a normal school. The public outcry was huge, and to find answers, viewers will have to watch this.

From the Press Release: 

For generations, the suffering of residential school Survivors has radiated outward, affecting Indigenous families and communities. Children, parents, and grandparents have contended with the unspoken trauma, manifested in the lingering effects of colonialism: addiction, emotional abuse, and broken relationships.

In her efforts to help the children of Survivors, including herself and her family, Koostachin makes the hard decision to step in front of the camera and take part in the circle of truth. She is joined in this courageous act of solidarity by members of her immediate household, as well as an array of voices from Indigenous communities across Turtle Island. Moving beyond burying intergenerational trauma, WaaPaKe is an invitation to unravel the tangled threads of silence and unite in collective freedom and power.

Special to this year is an installation art piece of Meneath. It’ll be part of the VIFF Signals program and is based on Métis creator Terril Calder’s Meneath: The Mirrors of Ethics, a winner of the New Voices Award at New York’s Tribeca Festival. For our review of this work, please visit this link.

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TheNFB’s has Zeb’s Spider World Premiere at VIFF! It Won’t String You Along.

Zeb’s Spider is playing this and the following weekend at The Rio Theatre (1660 E Broadway) in Vancouver, BC.

Zeb's SpiderZeb’s Spider isn’t so itsy bitsy, and this woman can give Sam Greenfield, the unluckiest person in the world from the animated movie, Luck, a run for her money. They both live in sub-basement apartments, and just have a lot of problems in life to face. This down-and-out individual is deathly afraid of arachnids, and as for what she does to the wall crawler is an entertaining variation of a cat and mouse tale.

This stop-motion animated short produced by the National Film Board of Canada is making its world debut at the 2022 Vancouver International Film Festival today, and has two screenings (please see below for details).

But before the eight legged wonder can be called friend, they must work out their issues. This human’s place is often riddled with other pestilence, and without this tiny wonder, her life might even take an even worse fate. What this short by Alicia Eisen and Sophie Jarvis offers is more than a fable. There are some insights to what defines some people, and scares others. Some might say encounters with the unknown can become a wake-up call.

Continue reading “TheNFB’s has Zeb’s Spider World Premiere at VIFF! It Won’t String You Along.”

Vancouver International Film Festival @40 Years! and Genre Picks

The Vancouver International Film Festival is terrific in spotlighting international films and don’t always often have a wide selection of genre picks. When they do, especially during a key anniversary year, there’s reason to cheer!

Reviewed: New Logo and Identity for Vancouver International Film Festival by Cause+Affect | UX AgencyOctober 1 to 11th * Various Venues * Vancouver, British Columbia

The Vancouver International Film Festival is terrific in spotlighting international films and don’t always have a wide selection of genre picks. When they do, especially during their ruby anniversary year, there’s reason to cheer! Anyone who’ve missed seeing a few films from Fantasia have a second chance here!

Most of these titles are geo-locked to this province and in-person attendence is most likely capped. Anyone with questions can also read the Health & Safety Guidelines in the official VIFF website.

On my list of notable pieces to view are:

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Top Five Asian Picks to see during Vancouver’s 2019 International Film Festival

Image result for children of the sea movieBy Ed Sum
(The Vintage Tempest)

The 2019 Vancouver International Film Festival is a showcase many cinephiles living in the Lower Mainland will be at. True to the city with it’s huge share of Asians, having a worthwhile selection is a must. This event is in full swing and I offer my picks from this world (links go to ticket purchase):

Children of the Sea

A loner schoolgirl befriends two boys who were raised by dugongs (manatee-like creatures), and embarks on an aquatic journey to unlock the mysteries of the boys and the sea. Based on Igarashi Daisuke’s lauded manga, director Watanabe Ayumu and Studio4°C’s bold experimental and environmental statement dazzles the eyes with stupendously beautiful animation of the underwater world, and blows the mind with dense symbolism and disorienting imagery that have drawn comparisons to 2001: A Space Odyssey.

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