Ace Frehley Tribute: On Why There Will Only Be One Space Ace

Ace Frehley was more than the Spaceman of KISS — he was the soul of the sound, the spark behind the mask. His legacy isn’t just in riffs or records; it’s in the cosmic joy of being unapologetically real. There will only ever be one Space Ace.

KISS Ace Frehley ClassicA star has faded from the skies—or as Ace Frehley might have said, “I’m one with them now.” The legendary guitarist has passed away, his soul joining the great cosmic harmony he always seemed to channel. After suffering a serious fall and being hospitalised, reports remain vague about the timeline, but the damage was deeper than anyone realised. The fact that he was still playing right to the end says everything about who he was.

Surrounded by family, he took his final bow the same way he lived—on his own terms. Although they made the call to pull the plug, he probably was conscious enough to approve. Back when KISS were in their prime, Frehley was the band’s lead guitarist—the cosmic spark that gave their spectacle its soul. That customised Les Paul didn’t just smoke; it howled. Others could wear the makeup, mimic the riffs, even reproduce his solos, but none could replicate the electricity that made him the Spaceman. And his influence resonates with today’s guitarists on stage. He earned the moniker both on and off the stage—a mix of cosmic dreamer and Bronx charm that no one else could quite pull off.

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She’s More Than A Kung Fu Ghost

Kung Fu Ghost Movie Poster

Nameless Studios

Some movies aren’t meant to be deep, and there’ll always be works made to showcase what newcomers to the entertainment industry can do. Jennifer Linch is one of those talents whose first short film project The Dream, won Best Newcomer at the World Film Awards in June 2015, and she’s been hard at work with co-writing, directing and producing her feature length debut, Kung Fu Ghost.

Her goal with this film is to provide a diddy that weaves in her love for the martial arts genre ala Jackie Chan and romance in the same vein as Chinese Ghost Story (but minus the horror). She admires those early films of this talent, and while Vietnamese herself, ethnicities don’t matter in an art that teaches virtue and how to defend yourself. She learned Kaju Kenbo, Kosho Ryo, kickboxing, Taekwondo, and Karate when growing up and we can see that blend of styles (and introducing ninjas into the narrative) in her movie.

Kung Fu Ghost is filled with all that, and more. We see ghosts (of course), history, and folklore also worked into the narrative about a spoiled Vietnamese young lady coming to America to learn about her past instead of back home.

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