When Meilin is “Turning Red” in PIXAR’s latest…

This tale is tailored towards an audience already familiar with works like Paddington the Bear.

Turning Red poster.jpgAfter the tremendous success with the animated short Bao in the awards circuit, Domee Shi and Julia Cho developed Turning Red as PIXAR’s next film. What’s created isn’t too different from past films, namely Brave, but in this case, we’re seeing a story set in modern times and in Toronto, Canada no less!

It’s tough to live up to a parent’s expectations. Dealing with overprotective mothers is perhaps the hardest and this film hits a very familiar tone faced by most during their childhood. And what’s shown isn’t necessarily restricted to just her, but also for anyone growing up in a Chinese family. It’s not about the cultural barriers, but also in honouring traditions. The screenplay nails those aspects down because I’ve lived through much of it myself! 

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In March, Ann Marie Fleming’s Window Horses Rides Again

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By Ed Sum (The Vintage Tempest)

For a list of upcoming screenings,
please click here.

Window Horses has been trotting through many festivals since its world premiere at the 2016 Annecy International Animated Film Festival in France. In North America, it’s making a return for a special engagement today in Vancouver with the producer of this movie, Ann Marie Fleming, in attendance. It has played in other shows like the Toronto Film Festival last year and the Victoria Film Festival early Feb 2017. On March 4th, it is playing at the New York International Children’s Film Festival.

Plans for a wider distribution is continuing with Mongrel Media handling distribution, and soon, folks can see why this colourful and powerful coming-of-age story is particularly engaging.

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