The latest season of Doctor Who being led by a new showrunner and after a massive binge-watch and rewatch, I found the season has its specific hits and misses. Chris Chibnall is at the helm of the series now and he is best known for developing BBC’s Broadchurch. Instead of intense drama, five episodes of the ten-episode run plays with the concepts traditional in many a tale of terror. The two most prominent were “Arachnids in the UK” and “The Witchfinders.”
Jodie Whittaker is very likable as the new Doctor. She gives the character an erratic quality similar to David Tennant’s time in the role and has the tendency to be scattered. As the later episodes show, there’s an energy that’s undeniable. She’s more empathetic to others, and this can make for interesting contrasts to previous incarnations.
The idea of a female version of Doctor Who was suggested a long time ago. Not everyone will know the comedic skit created by celebrated Rowan Atkinson for Red Nose Day charity telethon. The Curse of Fatal Death is not canon, but it had people talking. Officially, the idea in “Hand of Fear” (1976) set the concept in motion. The Kartrian Eldrad talked about the transition from one gender to another. Throughout the New Who years (2005 onwards), the notion has been tossed around. The most notable transition was Missy revealed herself to be a The Master!
Whatever the real world reason was for giving the role to a woman, audiences were more or less prepared. Giving this highly beloved character a makeover was not done to raise ire of misogynistic fans. Instead, it’s to keep this character refreshed so newcomers can jump in. When the media attention is this big, people are most likely to tune in.