Neither does cinema and the sequential art medium needs to involve Sony, Fox or Disney (merger-driven or not). As long as the work has more substance than style, people will flock to it.
Movies based on comic strips/books are big business, and not all of them were based on superheroes. The idea to adapt popular titles began way before Marvel and DC comics formed and this essay offers a highlight reel of these other popular works. Not everyone realises cinema and the sequential art medium go hand in hand.
In the early days of cinema, French journalist Georges Sadoul believed Louis Lumière‘s L’Arroseur Arrosé (1895) was an adaptation of L’Arroseur (The Gardener), a strip by artist Hermann Vogle. [1] The next work which followed was based on the British comic Ally Sloper (1867). Three films were made.
In the golden age of cinema, superheroes did not command the screen. Instead, these projections were humourous looks at everyday life. Harold Teen (1928) may well be the first to arrive on the big screen in North America. Blondie (1930) was immensely popular because of its look at middle-class suburbia. The early years followed the romance of this eponymous character to Dagwood, the comic relief, and the media buzz upon their marriage is comparable to the media hoopla when Peter Parker aka Spiderman married Mary Jane.
To be fair, certain key heroes like Batman and Superman will be explored. Also, television played an important role in popularizing this genre. Periodic looks at what happened on this front will also be offered.
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