At the heart of PIXAR’s CGI film, Brave, is a look at the ties that bind and the threads that get broken along the way. This medieval parable can easily be retold within any cultural backdrop and that can make for a universally understood movie.
In this film, the Scottish setting is appropriate. The importance of bringing clans together does get noticed as the tale progresses and some viewers can easily shout, “Braveheart!” along the way. But this movie is hardly original. PIXAR may have taken a few ideas from an older product, namely Disney’s Brother Bear, and redesigned it for a newer generation. The concept of brotherhood is important, but this time the focus is on sisterhood, and the bonds that keeps families together.
This movie has the potential to play up some of Scotland’s mystique, and sadly it does not. Should the producers have gone further, a fanciful look into the mysticism of the Celtic pride and superstition could have made for a satisfying watch. MacBeth and Shakespeare must be feeling ashamed by now. This movie is hardly Arthurian in style either. With this film, the struggle comes from one strong-willed teenage redhead who is not willing to be a Juliet to all the Romeos who are brought to her attention.
If keen observers of video game cinematics and CGI films think the computer graphics look great now, especially in how cloth material and hair are rendered, the next wave is going to be amazing.
The Rise of the Guardians (RotG) is an interesting legends to lore tale that turns characters like Santa Claus or the Easter Bunny to superheroes. It’s not like Marvel Comic’s Avengers, but rather a stripped down version of X-Men. The CGI and cinematography are wonderful to behold, especially in high definition, but the story is all too familiar. It’s like watching a re-imagining of Peter Pan.
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