Before streaming and before cable carved up the weekend, one studio defined TV animation. As a lifelong fan, it’s bittersweet to see Hanna-Barbera living on mostly through MeTV than in the mainstream. Their influence on the toons we see today like Wylde Park and Oh My God… Yes! still colours everything we watch. The fact their name is not forgotten says it all.
While some of their vast catalogue of toons do not stand the test of time, others do. I tried watching The Amazing Chan and the Chan Clan again recently and ouch. The same can be said with Hong Kong Phooey. They used stereoteypes that would not be tolerated today. That said, Top Cat is beloved and actually holds up. But as for others, it’s based on personal taste.
The Golden Age
When Bill Hanna and Joe Barbera launched their independent studio in 1957, they reshaped how animation could work on television. Their cost-saving “limited animation” approach made series economically viable without sacrificing character or charm. The Ruff and Reddy Show led the charge, but it was Huckleberry Hound and Quick Draw McGraw that cemented the formula. The true breakthrough arrived with The Flintstones—a primetime sitcom that proved cartoons weren’t just for kids. When it became a live-action movie, we all knew why it was done: to reignite interest among adults rather than make new fans.
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