Tag Archives: Opera

The Ring of Nibelung is on a Dark Horse Re-Release!

8 Dec

Available to pre-order on Amazon

By Ed Sum
(The Vintage Tempest)

Release Date: January 02, 2019
Click here to preorder

Richard Wagner’s The Ring of Nibelung has seen countless adaptations into other forms of media over many years. The opera truly must be seen as it was this composer’s intention. To read a comic book adaptation may seem like a bad idea, but in what I enjoyed in Roy Thomas version is that it helped reignite my interest in the Nordic sagas. The art by Gil Kane was inspiring. This work was published by DC Comics in the 90s; to find it now means chancing upon a collection while at a comic book show.

In 2012, Dark Horse Comics released their own version in 2012 with P. Craig Russell handling the chores of not only the writer but also the artist. This edition has its own gentile style and modestly introduces the sagas without being too extravagant in the presentation. It collects all the single issue covers and production notes (on how he turned the opera into an illustrative work) into a 450-page book! His pencil sketches are worth noting more than the finished work–and I’m only scratching the surface. Reading this work is just as enchanting. To compress it (which can clock in at 5 hours, or 15 to detail the entire four-part saga) to a 448-page work is just as impressive.

The live performance can be daunting for the newcomer. Not everyone is into opera. To read this work in illustrative form is a great way to become familiar with the story before tackling the stage show. No matter which version I’m looking at, I feel that when I’m done, there’s no need to watch Tolkien’s Lord of the Rings again, for a while. Both share the one ring ideology and borrow from similar sources, and that’s all there is.

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[Victoria Fringe Festival 2018] Confessions of an Operatic Muse, A Review

29 Aug

Location: 
VCM Wood Hall
917 Pandora Avenue
*Victoria, BC

Remaining shows:
Sat Sept 1-9pm
Sun Sept 2-8:15pm

* Spoiler Alert

Canadian Comedy Award recipient Briane Nasimok had quite the life. His play, Confessions of an Operatic Mute is very autobiographical, and this playwright told me he does want to set this performance into a book. From a very young age of 8, he fell in love with theatre. He is perhaps best known as Ambrogio in The Barber of Seville when it played at the Royal Alexandra Theatre in Toronto. This character did not sing. His talent is unique such that in opera, mutes are essentially movie extras. Thankfully, he has done other work in the entertainment industry. Other credits include writing for YTV’s Uh Oh!

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