Biopics about musicians are often sanitised for the big screen. Bohemian Rhapsody (review link) was more about Freddie Mercury, more than the band from a third-person perspective. Conversely, Baz Luhrmann’s Elvis looks at this musician’s life through the eyes of The Colonel’s (Tom Hanks). It sometimes vilifies rather than objectifies his role in making this man a star.
Even this villain who managed this singer (Austin Butler) throughout the decades admits to his problem. We get little sympathy for the devil.
Anyone who followed Elvis’ career or was part of his inner circle knew Colonel Tom Parker was trouble. Even though he helped turn the teen from Tupelo, Mississippi into a superstar, the stuff he held back on (or didn’t allow him to partake) may have dimmed this superstar’s light by a little. The spotlight is back because of the award-winning performances between Hanks and Butler. The film is really about their relationship first and the music second. Any tidbits of actual history are marginalised. This performer was upset because he wasn’t given the respect he so deserved during his time in Hollywood.
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