Romeo’s Blue Skies Blu-ray Review: Why This Inspirational Anime Still Shines

Fans of World Masterpiece Theatre will delight in Romeo’s Blue Skies, now available on Blu-ray from MedicOCD/Animeigo’s Ruined Childhoods label.

Romeo's Blue Skies Bluray CaseFans of World Masterpiece Theatre’s series will find much to laugh, cry, and reflect on in Romeo’s Blue Skies. This second release from MedicOCD and Animeigo’s Ruined Childhoods label is a must-have for fans of Japanese adaptations of Western literary classics. After decades of hunting down VHS tapes or low-resolution downloads, I’m thrilled to finally have a clean, high-quality release. Early fan-subbed versions were incomplete or low fidelity, making this Blu-ray a long-awaited treasure.

Based on the 1941 novel Die Schwarzen Brüder (“The Black Brothers,” Amazon link) by Lisa Tetzner and Kurt Held, the story follows a kind-hearted boy growing up in 19th-century Switzerland. When his family falls into poverty, he is forced to sell himself to a man known as Luini, the “God of Death.” Instead of despair, his optimism and courage give the series a uniquely inspirational tone. Experiencing the story visually in full made it far more impactful than reading alone.

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Why Boys Go to Jupiter Might Be Shockingly Weird for Some Viewers

Dream-like and visually stunning, Boys Go to Jupiter explores independence, friendship, and the whimsical side of growing up.

Boys Go to Jupiter Movie Poster
Playing at The Vic Theatre (Victoria, BC) From Sept 5 to 11th, 2025

One theme explored in Julian Glander‘s animated film, Boys Go to Jupiter, is the importance of giving kids personal space rather than pushing them to explore other, more literal spaces. The film feels like a dream-like take on Rugrats. Billy 5000 (Jack Corbett) often acts as the voice of reason among his friends—Freckles (Grace Kuhlenschmidt), Beatbox (Elsie Fisher), and Peanut (J.R. Phillips)—but when he pursues independence, the question arises: does gaining freedom mean leaving his friends behind?

The gang drifts through summer as outcasts, relying on little more than each other. Even Peanut’s “initiation” feels redundant, as if he already belongs. With no parents, teachers, or siblings guiding them—Billy’s sister barely registers—they fill the void with pranks, banter, and existential musings. They recall The Lost Boys not in plot but in spirit, caught in a restless limbo. Early in the film, they encounter a strange wormlike creature on the beach. The brief adventure quickly slips away, signalling a world where oddities can appear at any moment.

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