[Fantasia 2024] With The Umbrella Fairy, Can Anyone Truly Keep The Faith?

There’s lots to take in with the international release of The Umbrella Fairy. One view is not enough to take in everything that happens here. From kawaii to romance to sisterhood, everything has weight.

The Umbrella Fairy Movie Poster
International Premiere at Fantasia Film Festival 2024

The belief that every object has a spirit is quite common in many Indigenous and Asiatic cultures, and to see them parley in The Umbrella Fairy (伞少女), this English transliteration of the literal Umbrella Girl is much more poetic and attention grabbing. Even though I think of them as pixies more so than as children of Xiwangmu, that’s because I have a love for all things faerie in the Celtic sense of the word.

It’s possible that this idea is alluded to, though I would want to read the original source material to find out. Although this film begins with a humorous set piece about how cute these entities are, there’s also a more heartfelt existential piece to explain why some of them are what they are, especially if they’re attached to an instrument of war.

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New Gods Yang Jian Ushers In Chinese New Year

New Gods Yang Jian not only ups the ante in what Light Chaser Animation can do with the animation medium but also update a traditional tale to the science fiction medium.

New Gods Yang JianGKIDS
Playing at Select Theatres Beginning Jan 20
Coming to Digital on April 11 and Home Video April 25th, 2023.

Light Chaser Animation‘s New Gods cinematic universe has another hero, and his name is Yang Jian (voiced by Wang Kai). He’s also known as Erlang Shen, a god with a truth-seeing eye, but in this film it has even greater power which can’t be defined.

Thankfully, no prior knowledge of who he is or the prior film are needed (Nezha Reborn) is on Netflix and my review can be read here), but it’ll help explain the surprise bits found in this tale. In this second film to this franchise, titled New Gods Yang Jian, he gave up his godhood to become a mortal, a bounty hunter, and for much of the tale, he has no regrets over this decision.

Despite everything we know about how the Divine World fell apart, nobody in this new utopia is truly at peace. The introduction talks about an averted civil war, but all is not well. In Penglai, a futuristic neo-feudal tech city located upon a mountaintop, the people live in relative peace. But this home of the gods may well become a target should a boy assemble the pieces of a destructive lamp. The beauty this location represents is just one of many places this film visits. The look of Ancient China juxtaposed with the industrial age looks wonderful. When the adventure moves to the countryside, the landscapes look like they’re straight from a bamboo tapestry. The softer use of colours is not always pronounced, and that helps with giving this movie a better richness than those highly saturated works other CGI films, like Kung Fu Panda, prefer to emphasise.

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In White Snake 2, The Tale is Really about the Tribulation of the Green Snake

White Snake 2: The Tribulation of the Green Snake is a good enough tale to recommend viewing during Chinese New Year. Technically, this product wasn’t made with this celebration in mind. It’s more of a winter story because we’re dealing with depression and loss.

White Snake 2: The Tribulation of Green Snake“ reveals new poster Xiaoqing faces emotional test | Luju BarAvailable on Netflix
Spoiler Alert

Not everyone will be aware Light Chaser Animation StudiosWhite Snake has a sequel. It went from Chinese theatres straight to American streaming in 2021 and that’s a shame. White Snake 2: The Tribulation of the Green Snake is retitled by Netflix as simply Green Snake. Here, the time spent to focus on Tang Xiaoxi searching for her sister in a post-apocalyptic world would’ve looked just as fantastic had it been given a chance to play on the big screen in North America. Instead, it’s being streamed.

And for home video collectors, the wait for a physical release is long; this service doesn’t like to offer it whereas in China, it’s possible to find, and perhaps bereft of a subtitle track. Although this movie works reasonably well as a stand-alone product, I recommend seeing this series as its originally intended by this studio over what North American producers have planned–to split them up. Although the setup does recount what has happened previously, to experience the first film again (movie review link) will have more of an impact.

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Boonie Bears Celebrates Its 10th Anniversary!

Boonie Bears - WikipediaAvailable to Watch on YouTube

Boonie Bears (熊出没) is a hit in China ever since it debuted on Jan 22nd and this year marks their 10th anniversary. This animated series is available to watch across many platforms, and in international markets, Netflix, Sony, YouTube and Disney are doing what they can to show just how beloved these bears are.

This series is similar to other fond long-running franchises featuring talking animals. It’s sometimes takes inspiration from The Land Before Time. The television series is fairly basic, taking on a few tones akin to to Yogi Bear meets Wile E. Coyote, and tends to keep its artistic style simple. The films, however, have progressed from low quality renders to high, and the sequels look better as more companies are investing into this IP. Also, the narratives tackle harder themes so viewers are aware of problems around the world, like eco-terrorism.

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[Fantasia 2019] When White Snake is Looking for Endless Love

Despite a very Hollywood style story and only one musical moment, the CGI and technicolour visuals in White Snake are gorgeous to behold. I will never tire of watching these films because of the exotic locales used.

White Snake Movie Poster
Available to purchase on Amazon USA

Distributed by GKIDS
Light Chaser Animation Studio

The latest animated film from China about the Legend of the White Snake is making its rounds at film festivals, like Fantasia 2019. As a prequel, the setup is simplified. White Snake (白蛇) defines Xiao Bai as the main character. Her story is familiar, and is no different in scope when compared to William Shakespeare’s Romeo and Juliet.

This computer animated work is very Disney-esque–complete with the prerequisite sidekick comic relief. When a medicine-man (not wanting to be a snake catcher) Xian (Tianxiang Yang) rescues Bai (Zhang Zhe), her amnesia results in her having to figure out who she is. The story begins with us knowing that she is a spirit from the mountains–a white snake–attempting to attain that higher level of harmony (immortality, according to the subtitles–which makes little sense when spirits are technically very long-lived). However, a memory is holding her back and what she learns which makes up the film is one of sorrow and sacrifice.

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