In Vitro Review: Psychological Tension Stuck In Utero

In Vitro delivers psychological tension and haunting atmosphere but feels stuck in utero, never fully realising its broader dystopian potential. Strong character work and an evocative soundtrack drive the film, though uneven pacing and limited world-building hold it back.

In Vitro Movie PosterNow Available on VOD (UK)

In art exhibitions, the words “In Vitro” have often been used for installations and short films that explore the relationship between humans and technology. With this title now attached to a feature co-directed and written by Will Howarth and Tom McKeith, the ideas are explored in a different, unsettling context.

The story is about control. Jack (Ashley Zukerman) runs the household and the business, and his behaviour unsettles his wife, Layla (Talia Zucker). Together, they operate a cloning facility that supplies cows to a country unable to sustain its own livestock. While the premise hints at broader dystopian implications, the narrative keeps its focus tightly on Layla’s personal struggles, leaving the larger world underdeveloped.

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